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FeaturesMatt Reeves
Cloverfield director Matt Reeves talks about his follow up, Let Me In, a remake of Swedish vampire tale Let The Right One In, which is currently in post production.
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Cloverfield's Matt Reeves to direct Let The Right One In remake
Cloverfield director Matt Reeves (pictured) will write and direct the English-language adaptation of Tomas Alfredson's acclaimed Swedish contemporary vampire feature Let The Right One In for Overture Films and London-based Hammer Films.Let The Right One In will be the first in a new two-film co-production, financing and distribution deal between ...
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NewsRichard Jenkins joins cast of Hammer/Overture's Let Me In
Kodi Smit-McPhee, Chloe Moretz and Richard Jenkins will star in Let Me In, Matt Reeves’ English-language adaptation of Swedish arthouse hit Let The Right One In that Overture Films will release in the US.
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NewsOverture to release Let Me In on October 1
Overture Films has set an October 1 North American release date for the thriller Let Me In, inspired by Tomas Alfredson’s Swedish vampire hit Let The Right One In.
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NonStop takes The Trip, Let Me In and Barney's Version at AFM
Swedish distribution outfit NonStop Entertainment announces AFM acquisitions of The Trip, Let Me In and Barney’s Version.
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NewsProduction underway in New Mexico on Overture and Exclusive's Let Me In
Production has begun in Albuquerque, New Mexico, on Let Me In, Hammer Films’ English-language retelling of the Swedish vampire hit Let The Right One In that Overture Films will release in North America.
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FeaturesHow the rise of the ‘showrunner’ role is changing British TV
Screen talks to several big-name TV writers about the rise of the ‘showrunner’ role on this side of the Atlantic.
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FeaturesJames Gray on how ‘Armageddon Time’ was inspired by his family: “Dad was worse in real life”
James Gray returns to his Queens roots with coming-of age drama Armageddon Time. The filmmaker tells Sceen what inspired him to mine his own childhood.
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FeaturesMade in the UK: 15 film and high-end TV productions to look out for
The UK’s film and high-end TV production landscape is busier than ever, with myriad big- and small-screen projects choosing to utilise the world-leading locations, talent and infrastructure across the country’s nations and regions.
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