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Diversion picks up sales on Lav Diaz’s Venice title ‘Phantosmia’ (exclusive)
The feature marks the eighth time on the Lido for the Filipino filmmaker.
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‘Phantosmia’: Venice Review
Lav Diaz explores the legacy of harm and the power of late-life redemption in his latest meditative work
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'The Woman Who Left': Venice Review
Dir/scr/cine/ed. Lav Diaz. The Phillipines, 2016, 226 mins
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‘When The Waves Are Gone’: Venice Review
Filipino director Lav Diaz takes direct aim at the Duterte regime with this tale of crime and corruption
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'The Woman Who Left' wins Venice Golden Lion
Lav Diaz’s The Woman Who Left from the Philippines won the Golden Lion at the 73rd Venice Film festival on Saturday while Emma Stone claimed the Coppa Volpi best actress prize for La La Land and Oscar Martínez took actor honours for El Ciudadano Ilustre.
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Indie Sales boards Lav Diaz's Directors' Fortnight title 'The Halt' (exclusive)
Diaz’s black and white sci-fi is set in in Filipino capital Manila in 2034.
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‘Genus Pan’: Hamburg Review
One of Lav Diaz’s most accessible films chronicles the growing tensions between three men crossing the jungle
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Cannes 2019: Screen's guide to the Directors' Fortnight titles
This year’s selection includes films by Rebecca Zlotowski, Takashi Miike, Robert Eggers and Lav Diaz.
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Venice 2024 preview: Screen’s guide to the Out of Competition titles
Includes new films from Errol Morris, Tim Burton, Kevin Macdonald, Petra Costa, Asif Kapadia and Harmony Korine.
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'Season Of The Devil': Berlin Review
Lav Diaz presents a Philippine rock opera exploring 1970s military rule
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