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‘Flow’: Cannes Review
Tour-de-force animation about a cat and his fellow tsunami survivors is an Un Certain Regard standout
‘She’s Got No Name’: Cannes Review
Peter Chan delivers a stirring widescreen melodrama set in Shanghai of the 1940s to round out Cannes 2024
‘The Most Precious Of Cargoes’: Cannes Review
Michel Hazanavicius’s animated Competition title is set against the backdrop of Holocaust
‘The Seed Of The Sacred Fig’: Cannes Review
Mohammad Rasoulof delivers a flawed but urgent exposure of the societal tensions within Iran
‘The Count Of Monte-Cristo’: Cannes Review
Pathe follows up the Three Musketeers with another lavish spin of a classic Alexandre Dumas swashbuckler
‘All We Imagine As Light’: Cannes Review
Payal Kapadia’s eloquent fiction debut follows three women attempting to find their place in modern Mumbai
‘Nasty - More Than Just Tennis’: Cannes Review
Colourful documentary profiles the impact of Romanian player Ilie ‘Nasty’ Nastase on the world of tennis and beyond
‘Beating Hearts’: Cannes Review
Adele Exarchopoulos and Francois Civil play teenage lovers reunited in adulthood in Gilles Lellouche’s Competition melodrama
‘Niki’: Cannes Review
Charlotte Le Bon embodies French artist Niki de Saint-Phalle in Celine Sallette’s vivid biopic
‘Motel Destino’: Cannes Review
A young hitman hides out in a Brazilian sex hotel in this steamy Competition title from Karim Ainouz
‘Jim’s Story’: Cannes Review
Karim Leklou’s bittersweet performance anchors this tale of fatherhood from the Larrieu brothers
‘Filmlovers!’: Cannes Review
Arnaud Desplechin celebrates his life-long love of cinema through the experiences of alter-ego protagonist Paul Dedalus
‘Grand Tour’: Cannes Review
Miguel Gomes transposes the traditional European grand tour narrative to Asia for his experimental Competition entry
‘Being Maria’: Cannes Review
Anamaria Vartolomei impresses as Last Tango In Paris star Maria Schneider in Jessica Palud’s sensitive biopic
‘The Brink Of Dreams’: Cannes Review
An all-female Egyptian street theatre troupe act out their frustrations in this appealing Critics Week documentary
‘An Ordinary Case’: Cannes Review
Daniel Auteuil directs and stars as a lawyer defending a murder case in this by-the-numbers French legal drama
‘Viet And Nam’: Cannes Review
Two gay Vietnamese miners face an uncertain future in Truong Minh Quy’s delicate drama
‘Animale’: Cannes Review
Emma Benestan directs an atmospheric genre hybrid set in a French bull-riding community
‘I, The Executioner’: Cannes Review
Ryoo Seung-wan delivers a weighty action sequel to 2015’s blockbuster Veteran
‘To A Land Unknown’: Cannes Review
Two Palestinian refugees are stranded in Athens in Mahdi Fleifel’s raw, resonant drama
![[Clockwise]: 'Anora', 'The Substance', 'Kneecap', 'All We Imagine As Light'](https://d1nslcd7m2225b.cloudfront.net/Pictures/415x277/6/4/0/1439640_screenteamfilms_937759.jpg)