All articles by Nikki Baughan
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Reviews
‘Get Away’: Review
Nick Frost writes and stars in this uneven horror comedy about a Swedish holiday from hell
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Reviews
‘Daddy’s Head’: Review
Benjamin Barfoot follows ‘Double Date’ with this UK-set creature feature for Shudder
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Reviews
‘Yen And Ai-Lee’: Busan Review
Kimi Hsia Yu-chiao and Yang Kuei-mei impress in this striking black-and-white Taiwanese mother-daughter drama
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Reviews
‘Village Rockstars 2’: Busan Review
Rima Das returns to rural Assam to follow-up her 2017 docu-drama
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Reviews
‘Travesty’: Busan Review
A city cop finds himself cast adrift in this pointedly political Mongolian hostage thriller
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Reviews
‘Uprising’: Busan Review
Busan opens with a sweeping Netflix period actioner co-written by Park Chan-wook
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Reviews
‘Speak No Evil’: Review
A full-throttle performance from James McAvoy drives Blumhouse’s remake of the 2022 Danish horror
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Reviews
‘The Return’: Toronto Review
Ralph Fiennes and Juliette Binoche reunite for this restrained retelling of Homer’s Odyssey
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Reviews
‘The Penguin Lessons’: Toronto Review
Steve Coogan plays real-life English teacher Tom Michell who adopted a penguin in 1970s Argentina
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Reviews
‘Self Driver’: Fantasia Review
A Toronto cab driver takes a journey to the dark side in Fantasia’s New Flesh award winner
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Reviews
‘Didi’: Review
Sean Wang’s impressive autobiographical debut feature follows a 13-year-old Taiwanese American over one pivotal summer
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Reviews
‘The Beast Within’: Fantasia Review
Kit Harington stars in this atmospheric British horror in which a young girl confronts her family’s darkest secret
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Reviews
‘blur: To The End’: Review
The 2023 reunion of British band blur is captured in this introspective, candid documentary
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Reviews
‘Touch’: Review
Focus Features’ pandemic-set drama by Baltasar Kormákur moves between Iceland, London, and Hiroshima
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Reviews
‘Oddity’: Galway Review
SXSW award-winning horror from Caveat director Damian McCarthy arrives home to haunt Irish audiences
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Reviews
‘Fly Me To The Moon’: Review
Scarlett Johansson and Channing Tatum headline this moon landing romcom that fails to lift off
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Reviews
‘The Exorcism’: Review
’The Exorcist’ legend looms large in this horror starring Russell Crowe as a troubled actor losing his mind on set
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Reviews
‘The Moor’: Review
A Yorkshire moor hides terrifying secrets in this atmospheric British horror debut
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Reviews
‘Bad Boys: Ride Or Die’: Review
Will Smith and Martin Lawrence return as the Miami cops in Sony’s limp bid to reignite the summer blockbuster box-office
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Reviews
‘Nasty - More Than Just Tennis’: Cannes Review
Colourful documentary profiles the impact of Romanian player Ilie ‘Nasty’ Nastase on the world of tennis and beyond