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The Man I Love

‘The Man I Love’ review: A powerful Rami Malek drives Ira Sachs’s compelling, opaque queer drama

La Gradiva

Cannes Critics’ Week unveils prizes for 2026 edition

'A Man Of His Time'

‘A Man Of His Time’ review: A superb Swann Arlaud powers Emmanuel Marre’s ambitious, overlong Vichy France drama

Karim Ainouz

Japan’s K2 Pictures boards Karim Ainouz’s English-language drama ‘Neon River’

'Minotaur', 'Bitter Christmas'

‘Minotaur’ storms to second place on Screen’s Cannes jury grid; ‘Bitter Christmas’ also lands

  • ‘The Man I Love’ review: A powerful Rami Malek drives Ira Sachs’s compelling, opaque queer drama

  • Cannes Critics’ Week unveils prizes for 2026 edition

  • ‘A Man Of His Time’ review: A superb Swann Arlaud powers Emmanuel Marre’s ambitious, overlong Vichy France drama

  • Japan’s K2 Pictures boards Karim Ainouz’s English-language drama ‘Neon River’

  • ‘Minotaur’ storms to second place on Screen’s Cannes jury grid; ‘Bitter Christmas’ also lands

UK In Focus

Mike Hill Gareth John at the 2026 Oscars

Celebrating the below-the-line UK talent behind this year’s Oscar contenders

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Stars of Tomorrow

Too row: Katelyn Rose Downey, Lewis Brophy, Niamh McCormack, Jeanne Ní Áinle; bottom row: Louise Bagnall, Nathan Fagan, Cara Loftus, Evan Horan, Hannah Mamalis

Screen reveals 2025 Rising Stars Ireland line-up