All Animation articles – Page 8
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Reviews
'The Secret Life Of Pets 2': Review
The tale wags the dog in this sometimes sweet, sometimes overcrowded cartoon sequel.
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Reviews
'The Bears' Famous Invasion': Cannes Review
Stylish animated adaptation of Dino Buzzati’s 1945 novel
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Reviews
'I Lost My Body': Cannes Review
A severed hand tries to find its way home in Jeremy Clapin’s singular animated feature
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Reviews
'The Swallows Of Kabul': Cannes Review
Effective animated drama about two couples struggling under the cruelty of Taliban rule
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Reviews
'Pokémon Detective Pikachu': Review
Ryan Reynolds lends his voice to Rob Letterman’s live-action Pokemon adventure
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Reviews
'The Lego Movie 2: The Second Part': Review
Mike Mitchell takes over directing duties on this eagerly-anticipated sequel
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Reviews
'How To Train Your Dragon: The Hidden World': Review
The beloved DreamWorks franchise soars out on a high
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Reviews
'Spider-Man: Into The Spider-Verse': Review
Dynamic animation gives the web-slinger a new lease of life.
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Reviews
'Ralph Breaks The Internet': Review
Ralph and Vanellope return in a solid sequel which fails to hit the heights of the original ’Wreck-It Ralph’
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Reviews
'The Grinch': Review
Animated version of the Dr Seuss classic fails to capture the spirit or sass of the original material
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Reviews
'Smallfoot': Review
A yeti attempts to prove the existence of humans in Warner Bros’ latest animation
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Reviews
'Ruben Brandt, Collector': Sarajevo Review
Eye-popping Hungarian animation about a psychotherapist turned art thief
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Reviews
'Incredibles 2': Review
Brad Bird’s family of animated superheros continue to entertain and charm in equal measure
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Reviews
'Mirai': Cannes Review
Charming animation from Japan takes a todder-eye view of a new arrival in the family
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Reviews
‘The Incredible Story Of The Giant Pear’: Berlin Review
Danish animation sets sail for 100 territories
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Reviews
'Isle Of Dogs': Berlin Review
Good boys populate Wes Anderson’s stop-motion drama which opens the 2018 Berlin Film Festival
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Reviews
'Early Man': Review
Aardman’s Nick Park moves back into the director’s chair for the first time since 2005’s ’Were-Rabbit’