All Asia articles – Page 362
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French Connection links with Korean Dream Capture
French Connection is partnering with Korean Dream Capture Studios to develop an English-language adaptation of Peter May’s thriller The Killing Room, the third tome in his so-called China thrillers.
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Shochiku plans global Kinoshita retrospective
Japanese studio Shochiku is planning a ten-city retrospective to mark the 100th anniversary of the birth of Keisuke Kinoshita, whose digitally restored The Ballad Of Narayama is screening in Cannes Classics.
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Korea’s Daisy & Cinergy cues up Cannes duo
Korea’s Daisy & Cinergy is producing and selling two upcoming projects from Im Sang-soo, whose The Taste Of Money is screening in competition, and Hur Jin-ho, whose Dangerous Liaisons has been selected for Directors’ Fortnight.
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China’s Wanda Group buys AMC Entertainment
China’s Wanda Group has signed an agreement with AMC Entertainment Holdings to buy out 100% of the US entertainment group for $2.6bn.
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Universal slayed by Fortissimo’s Killing
Universal Pictures International Entertainment (UPIE) has picked up a slew of territories, including the UK and France, to Chinese-Mongolian epic An End To Killing from Fortissimo Films.
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Chicorel launches Chinese banner under Shoreline
Taipei-based producer and sales agent Steve Chicorel is launching a banner under Shoreline Entertainment, Asia Bridge, to handle international sales of Chinese films.
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Buyers wake up for Five Star’s 3AM
Thailand’s Five Star Production is lining up a second 3D horror, 3AM, following the Asian box office success of its first such production, Dark Flight 3D.
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Shoreline picks up Winter’s Sex
Shoreline Entertainment has acquired all international rights to John Winter’s self-financed Black & White & Sex, in which eight actors play one sex worker being interviewed by a filmmaker.
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MUBI reformats, partners with Weerasethakul, Sony Google TV, Nordisk Fund
VOD service MUBI is in Cannes with 2010 Palme d’Or winner Apichatpong Weerasethakul to launch 20-minute short Ashes.
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Rabarts to head development for India’s NFDC
Marten Rabarts, currently artistic director of Binger Filmlab, will step down at the end of May to take up the role of head of development with India’s National Film Development Corporation (NFDC).
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Film Base Berlin turns lens on Cambodia
German production house Film Base Berlin is developing a Cambodia-themed drama Game Park, to be directed by French-Cambodian filmmaker Vanessa Ly.
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Mister Smith's 3,096 days in demand
EXCLUSIVE: David Garrett’s new sales outfit Mister Smith, a joint venture with Constantin, has seen strong demand for Natascha Kampusch drama 3,096 Days.
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Malaysia to launch international festival
Malaysia’s National Film Development Corp (FINAS) is launching a film festival and contents market to be held in Kuala Lumpur in November.
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Bae launches Tokyo production, distribution outfit
Former Stylejam executive Soojun Bae has launched a Tokyo-based production and distribution outfit, Synca Creations.
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Muyl heads to China for Butterfly remake
French director Philippe Muyl is heading to China for a Mandarin-language feature inspired by his 2002 film The Butterfly (Le Papillon), which was a huge hit with Chinese audiences
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Pictures Dept picks up Aoyama project
Japanese production and sales outfit Pictures Dept has picked up worldwide rights to Shinji Aoyama’s upcoming adaptation of Shinya Tanaka’s award-winning novel Dog Eat Dog (Tomogui).
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Metrodome, AB slayed by Guillotines
Hong Kong-based We Distribution has sealed further deals on Andrew Lau’s action thriller The Guillotines, which has gone to the UK (Metrodome), French-speaking Europe (AB Droits Audiovisuels), Italy (Minerva Pictures) and India (WEG).
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Bona Film Group boosts credit facility to $80m
China’s Bona Film Group has increased its revolving credit facility with Bank of Beijing from $15.8m (RMB100m) to $79m (RMB500m), which it will use over the next two years for content production.
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ScreenSingapore appoints Asian board members
ScreenSingapore, has appointed six new Asian members to its board as the event moves to strengthen its Asian focus.