All Award Categories articles
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FeaturesIn conversation: Sam Taylor-Johnson and Marisa Abela on finding Amy Winehouse’s true voice in ‘Back To Black’
The director and star of Amy Winehouse biopic Back To Black discuss crafting their vision for the hit film.
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FeaturesHow Nicole Kidman is redefining the female gaze with ‘Babygirl’: “It’s uncharted territory”
The prolific actress says she has stepped into fresh territory with Halina Reijn’s ‘Babygirl’
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FeaturesTilda Swinton on her role as a dying writer in Pedro Almodovar’s ‘The Room Next Door’: “It was written for my wiring”
Tilda Swinton is a transformational actress who is now working closer to her true self, she says
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FeaturesSaoirse Ronan on ‘The Outrun’, ‘Blitz’ and wanting to do more films “in my own accent”
Saoirse Ronan on her producing debut ‘The Outrun’ and collaborating with Steve McQueen on ‘Blitz’
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FeaturesGuy Pearce on his role in ‘The Brutalist’ and why he's drawn to playing powerful people
Guy Pearce plays the quixotic industrialist driving events in epic drama The Brutalist. The actor tells Demetrios Matheou how he sank his teeth into the contradictory, multi‑layered role
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Features‘September 5’ star John Magaro: "I’ve constantly had to reintroduce myself to the public"
The actor stars as ABC Sports producer Geoffrey Mason in ’September 5’.
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FeaturesIn conversation: ‘Hard Truths’ duo Marianne Jean-Baptiste and Michele Austin on Mike Leigh’s unique process
Longtime Mike Leigh collaborators play two very different sisters living in north London.
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Features‘Sing Sing’ star Clarence Maclin on why he hopes his story can inspire others
Clarence Maclin learned to act inside prison — a redemptive journey celebrated in Greg Kwedar’s film Sing Sing.
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FeaturesWhy outsourcing and AI means the US animation sector is facing hefty challenges in 2025
Despite the 2024 box-office numbers, the animation industry has been experiencing some seriously choppy waters.
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Features‘Anora’ director Sean Baker on making his most audience-friendly film, why he’s “worried about the next one”
Baker tells Screen how he shaped his Palme d’Or winner.
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FeaturesEdward Berger on achieving his "razor sharp" ‘Conclave’ shots, upcoming projects
Edward Berger follows an Oscar-winning First Word War drama with a papal thriller. He tells Screen how he was bewitched by the intrigue and power play of Conclave.
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FeaturesLove, violence and awful behaviour: the making of Rose Glass’s ‘Love Lies Bleeding’
Rose Glass and her ‘Love Lies Bleeding’ co-writer Weronika Tofilska on making their uncompromising US-set crime thriller.
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FeaturesBaftas 2025: fierce competition faces titles competing for the British-only categories
Top contenders include ’Conclave’, ’Blitz’, ’Gladiator II’, ’We Live In Time’ and ’Civil War’.
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FeaturesUS producers are mobilising to protect their rights – and careers – in a changed industry
Without an official union, US producers are lobbying in different ways to improve their representation.
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FeaturesPedro Almodovar on ‘The Room Next Door’: “I feel naked with the reality of mortality”
Pedro Almodovar confronts issues of mortality in his first English-language feature ‘The Room Next Door’.
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Features“It’s a hard industry to be a woman”: Marielle Heller on making a film for mothers in ‘Nightbitch’
Marielle Heller’s fourth feature adapts a bestselling novel about a harried mother who seems to be turning into a dog.
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FeaturesDenis Villeneuve breaks down four key scenes from ‘Dune: Part Two’: “It required a lot of patience from the actors”
Villeneuve opens up on the Harkonnens floating in the desert opening sequence, and Feyd-Rautha’s brutal birthday on Giedi Prime.
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Features‘A Real Pain’: why Kieran Culkin’s first post-‘Succession’ role proved a challenge
During the production of A Real Pain, Kieran Culkin’s loose approach frequently collided with director Jesse Eisenberg’s meticulous planning
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FeaturesKarla Sofia Gascon: “As ‘Emilia Pérez’ shows, we all have time to change and become better people”
Karla Sofia Gascon describes her long journey to the gender-switching role she plays in Emilia Pérez.
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FeaturesGlen Powell on why ‘Hit Man’ was a tough sell for studios
After a string of failed auditions saw Powell dropped by his agency, the actor took control of his own destiny.