All Awards articles – Page 106
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FeaturesRenée Zellweger talks preparing for 'Judy', why a career break gave her a "new perspective"
Zellweger has previously sung as Roxie Hart in ‘Chicago’.
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FeaturesThe Safdie brothers on the 10-year journey behind ‘Uncut Gems’: “It was a step up”
Uncut Gems may be substantially the biggest-scale film the Safdies have ever made, but the shoot remained true to the creative spirit of their indie roots.
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FeaturesCharlize Theron on her “quintessential actor insecurity” over playing Megyn Kelly in ‘Bombshell’
In Bombshell, Charlize Theron initially resisted the role of network star Megyn Kelly.
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FeaturesHow the ‘Frozen II’ filmmakers dealt with the pressure: “we built it very honestly, from character out”
Screen talks to the filmmaking team about their own challenge in making a sequel to the biggest animated hit of all time.
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FeaturesScreen critics’ top films of 2019
Screen’s expert critics have selected their top five films of the year, plus a best documentary and an overlooked gem.
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Features‘How To Train Your Dragon: The Hidden World’: filmmakers on the series' emotional final chapter
Michael Rosser talks to the filmmakers about the journey of Hiccup and Toothless.
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FeaturesScott Z Burns talks returning to directing with ‘The Report’, working on ‘No Time To Die’
Scott Z Burns makes complicated true events coherent to audiences. He tells Jeremy Kay about the power of facts.
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FeaturesHow writing ‘The Two Popes’ led Anthony McCarten to rethink Francis and Benedict
Catholic-raised Anthony McCarten tells Ben Dalton how the process led him to reassess popes Francis and Benedict XVI
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FeaturesTrey Edward Shults on the varied responses to ‘Waves’: "I hope it feels nuanced"
Trey Edward Shults’ Waves is aptly named, provoking a range of reactions thanks to its combination of subject matter and race.
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FeaturesTaika Waititi on the eight-year journey behind awards contender ’Jojo Rabbit’
Waititi wrote a spec script for the film back in 2011.
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FeaturesThe inside story of how Dexter Fletcher made ‘Rocketman’
Taking over the shooting of Bohemian Rhapsody was a walk in the park compared with the complexity of Rocketman, Fletcher tells Screen.
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FeaturesLulu Wang on the real-life story behind 'The Farewell'
The filmmaker talks to Wendy Mitchell about going back to her Chinese roots in her indie comedy-drama The Farewell.
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FeaturesArmando Iannucci on ‘David Copperfield’: “it’s a celebration of what I feel Britain is”
Armando Iannucci’s used an inventive approach to David Copperfield, but in an age of status anxiety the book’s key theme needed no updating.
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Features‘Toy Story 4’ filmmakers on why the franchise needed another instalment
Toy Story 3 seemed like a fitting conclusion to the series, but the creative team knew Woody had more lessons to learn.
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FeaturesHow cutting the budget helped James Mangold get ‘Ford V Ferrari’ over the line
The racing drama’s journey to the screen involved a decade of stops and starts, director James Mangold tells Mark Salisbury.
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Features'I Lost My Body' filmmakers talk working with Netflix on their quirky severed hand animation
Ben Dalton talks to the filmmakers about the creative journey behind one of the year’s most inspired animated features
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FeaturesRian Johnson compares working on 'Knives Out' to 'Star Wars': "it's still the same essential process"
Johnson’s whodunnit stars Daniel Craig as a private investigator.
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FeaturesMaking 'A Shaun The Sheep Movie: Farmageddon’: "we could parody lots of sci-fi tropes"
Aardman’s second feature-length Shaun The Sheep movie gambols into the sci-fi realm.
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News‘The Irishman’, ‘Once Upon A Time… In Hollywood’ among 344 eligible for best picture Oscar
Uncut Gems, A Beautiful Day In The Neighborhood, Pain And Glory make the longlist.
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FeaturesAnimation contenders focus: ‘The Swallows Of Kabul’, ‘The Tower’, ‘Another Day Of Life’
A trio of works inspired by real-world events is shaking up the animated feature film category’s traditional focus on comedy and fantasy.