All Baftas articles – Page 21
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FeaturesMatthew Heineman on entering the dangerous world of 'Cartel Land'
Matthew Heineman reveals why he simply picked up a camera and headed into the dangerous world of Mexico’s drug wars.
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FeaturesCosima Spender on making 'Palio'
Cosima Spender talks about making Palio under the watchful eye of Siena’s authorities.
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FeaturesLaurie Anderson reveals the inspirations for 'Heart Of A Dog'
Laurie Anderson talks the inspirations for her intimate documentary Heart Of A Dog.
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FeaturesMichael Moore talks 'Where To Invade Next'
Michael Moore reveals how his electrifying Where To Invade Next was made under the radar.
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FeaturesDocumentary: US flourishing while Europe struggles
While Netflix and Amazon among others are revitalising the documentary sector in the US, it’s a different story in Europe, where factual film-makers are fighting for funds.
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FeaturesBafta takes a bow
With a change in eligibility rules, Bafta’s organisers are hoping that smaller films will benefit in certain key categories.
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FeaturesAwards Season: Best Picture
In-depth looks at Carol, Mad Max: Fury Road, Room and Spotlight
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Features'Carol': producer Elizabeth Karlsen on her 14-year passion project
In her own words, Carol producer Elizabeth Karlsen reveals the 14-year-long journey to bring the adaptation of Patricia Highsmith’s novel to the screen.
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Features'Room': if these walls could talk
Bestseller or not, Room’s sensitive subject matter was always going to be a cinematic challenge. Jeremy Kay speaks to writer Emma Donoghue, director Lenny Abrahamson and producer Ed Guiney about translating its emotional and physical space to the screen
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Features'Spotlight': drama in the newsroom
From avoiding lawsuits to casting a prestige acting ensemble, the team behind best picture hopeful Spotlight reveal how they pulled off the high-wire act.
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Features'Mad Max: Fury Road': driven to the edge
Mad Max: Fury Road has garnered critical acclaim and global box office of $375m and counting. But it was an arduous journey, as director George Miller, producer Doug Mitchell and production designer Colin Gibson tell Tom Grater.
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FeaturesBest Picture race: bounty hunters
Will Quentin Tarantino’s The Hateful Eight be the film to shake up this year’s awards season? Jeremy Kay looks at which movies have achieved glory so far.
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FeaturesAwards Season: Directors, Writers
Interviews with Steven Spielberg, Ridley Scott, Danny Boyle, Aaron Sorkin, Cary Joji Fukunaga, Alejandro Gonzalez Inarritu and Phyllis Nagy.
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FeaturesWriter Phyllis Nagy talks adapting 'Carol'
Directors, producers and actors came and went but Phyllis Nagy remained the one constant. The writer of Patricia Highsmith adaptation Carol talks to Nikki Baughan
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FeaturesCary Joji Fukunaga on the perilous 'Beasts Of No Nation' shoot
Making Beasts Of No Nation was a long-held ambition for True Detective director Cary Joji Fukunaga. He talks to Jeremy Kay about overcoming the perilous shoot and the Netflix pay-off
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FeaturesAlejandro Gonzalez Inarritu on the challenges of 'The Revenant'
For Alejandro Gonzalez Inarritu, making The Revenant was comparable to Ernest Shackleton’s heroic exploration of the Antarctic. He tells Jeremy Kay about the challenges and rewards of endurance film-making
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FeaturesDanny Boyle and Aaron Sorkin talk 'Steve Jobs'
Danny Boyle and Aaron Sorkin, the director and writer of Steve Jobs, tell Mark Salisbury why it is crucial for film-makers to tell the stories of the tech titans shaping our world
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FeaturesRidley Scott on why he landed on 'The Martian'
With The Martian, Ridley Scott has landed the biggest global hit of his career. The director tells Jeremy Kay about his initial reservations, working with Matt Damon and why he keeps so busy
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FeaturesSteven Spielberg talks 'Bridge Of Spies' and future projects
Steven Spielberg reveals how his latest feature, Bridge Of Spies, has been more than 50 years in the making, why he continues to shoot on film and whether he would ever re-cast Indiana Jones. Michael Rosser reports
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Features'The Peanuts Movie': Snoopy's welcome return
When the Schulz family entrusted the Peanuts characters with director Steve Martino, they had two stipulations: no twerking and no iPhones.