All Cannes articles – Page 206
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News
CJ's The Target hits key sales
Korean remake of Point Blank sells to Germany and Latin America, among others.
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News
Seville's Mommy births deals
Ahead of its official red-carpet screening, Xavier Dolan’s latest sold to the UK, Scandinavia and Russia/CIS, among others.
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News
Girl knocks for Peccadillo
EXCLUSIVE: July Jung’s Un Certain Regard title [pictured] among Cannes pick-ups by the independent art-house UK distributor.
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News
Lotte pre-sales on The Pirates
Lee Seok-hoon’s period adventure [pictured] sells to 15 countries.
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Comment
DreamWorks Animation unveils Apollo
To tie in with the release of How to Train Your Dragon 2, the studio will showcase the work of their home-engineered animation software.
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Features
Nuri Bilge Ceylan, Winter Sleep
The Turkish director Nuri Bilge Ceylan is glad to be back in Cannes, where he has a happy history. He won the Grand Jury Prize in 2002 for Distant and in again 2011 for Once Upon A Time In Anatolia and a Best Director Award in 2008 for Three Monkeys.
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News
Monster scales Devil's Tower
Horror [pictured], starring Jason Mewes, has also sold to North America.
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News
Signature unveils Cannes deals
UK distributor picks up the likes of Predestination, Young Ones and Hellion [pictured].
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Comment
Talking hockey in Cannes
Legendary Russian ice hockey star Slava Fetisov, in Cannes with Gabe Polsky’s doc Red Army, has poured scorn on the notion that sports like ice hockey and American Football are becoming too violent.
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News
Depardieu thriller sells for Saradan
EXCLUSIVE: Fledgling UK sales outfit inks multiple deals on Russian thriller.
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News
Saban Films acquires The Homesman
Newly launched distribution company takes North American rights to Tommy Lee Jones’ Cannes Competition title.
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Features
Thomas Cailley, Love At First Fight
“It’s more than the army - it’s the theme of survival” that interests Thomas Cailley in his Director’s Fortnight entry Love at First Fight (Les Combattants).
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News
Critics' Week launches Next Step
Programme is aimed at the ten selected short film-makers in order to support them in their transition to features.