All Directors' Fortnight articles – Page 5
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Reviews
‘Funny Pages’: Cannes Review
Owen Kline’s indie debut about an aspiring comic book artist is laced with dark irony
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Reviews
‘The Five Devils’: Cannes Review
A girl’s powerful sense of smell suddenly starts to evoke times before she was born in Lea Mysius’ follow-up to ‘Ava’
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Reviews
‘De Humani Corporis Fabrica’: Cannes Review
Verena Paravel and Lucien Castaing-Taylor explore the human body in intimate detail in their immersive documentary
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Reviews
‘The Super 8 Years’: Cannes Review
A snapshot of the life of French writer Annie Ernaux, as told through lively home video footage
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Reviews
‘Falcon Lake’: Cannes Review
Actor Charlotte Le Bon makes her directorial debut with this touching portrait of young love
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Reviews
‘Pamfir’: Cannes Review
A bold and brave story of a family man at the mercy of small town corruption
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Reviews
‘Under The Fig Trees’: Cannes Review
Erige Sehiri makes her fiction debut with this gentle human drama set in a Tunisian orchard
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Reviews
‘Paris Memories’: Cannes Review
The survivor of a Parisian terrorist attack finds her life forever changed in Alice Winocour’s hopeful drama
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Features
The directors of ‘God’s Creatures’ on the “radical” decision to co-direct
Saela Davis and Anna Rose Holmer’s. ‘God’s Creatures’ is screening in Cannes’ Directors’ Fortnight.
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Reviews
‘Enys Men’: Cannes Review
Mark Jenkin’s Cannes debut is an offbeat Cornish folk horror more concerned with atmosphere than story
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Reviews
‘Harkis’: Cannes Review
A sensitive portrait of Algerian soldiers who fought with the French army in their country’s war for independence
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Reviews
‘El Agua’: Cannes Review
Elena López Riera makes her daring debut in Director’s Fortnight with this magical realist romantic drama
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Reviews
'One Fine Morning’: Cannes Review
Léa Seydoux is luminous in Mia Hansen-Løve’s intimate drama about loss and love
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Reviews
‘God’s Creatures’: Cannes Review
Emily Watson puts in a commanding performance in this trad rural Irish mother-son drama
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News
Les Films du Losange posts fresh deals on Mia Hansen-Løve’s ‘One Fine Morning’ (exclusive)
Romantic drama starring Léa Seydoux is Hansen Løve’s eighth film after Bergman Island.
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Reviews
‘Scarlet’: Cannes Review
Directors’ Fortnight opens with Pietro Marcello’s unusual period semi-musical drama
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News
Directors’ Fortnight film pulled before festival was Chinese animation (exclusive)
Covid lockdowns and censorship hurdles may have contributed to the withdrawal.
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News
First trailer for Tunisian Directors’ Fortnight thriller ‘Ashkal’ (exclusive)
Tunis-set police thriller revolves around the discovery of a series of badly burned corpses on a building site.
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Features
Cannes 2022 line-up guide: Directors’ Fortnight titles
Screen’s guide to the Cannes Official Selection and parallel sections.
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Reviews
‘Men’: Cannes Review
Alex Garland’s outrageous rural horror is a disorientating and roundly unpredictable piece