All Directors' Fortnight articles – Page 8
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News
Joanna Hogg, Clio Barnard, Jonas Carpignano titles among Cannes’ Directors’ Fortnight 2021 selection
Parallel Cannes section will unveil 24 new films.
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Frederick Wiseman to be honoured with Directors’ Fortnight Carrosse d’Or
Parallel Cannes section will unveil full 2021 line-up on June 8.
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Cannes Film Festival, parallel sections set submission deadlines for July editions
Cannes Film Festival has moved to later dates of July 6 to 17 in response to ongoing Covid-19 pandemic.
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Cannes Directors’ Fortnight, Critics’ Week confirm July dates
Parallel sections were both cancelled alongside main festival in 2020.
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Cannes Directors’ Fortnight reveals two titles selected for its cancelled 2020 edition
They were Luca Guadagnino’s series We Are Who We Are and US filmmaker Miranda July’s Kajillionaire.
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Reviews
'Sick, Sick, Sick': Cannes Review
A bereft Brazilian teen turns to witchcraft to bring her boyfriend back to life
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Reviews
'All About Yves': Cannes Review
A French rap composer sparks up a friendship with his smart fridge in this Artificial Intelligence fantasy
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Reviews
'Particules': Cannes Review
Creepy things are happening in the town which hosts the Hadron Collider
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Reviews
'To Live To Sing': Cannes Review
Johnny Ma’s colourful film is centred around a Chengdu Opera troupe on the verge of collapse
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Reviews
'Lillian': Cannes Review
Lillian, a Russian emigrant in New York whose visa has expired, decides to walk the long way home
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Reviews
'An Easy Girl': Cannes Review
Rebecca Zlotowski explores the power of sexuality in this sultry South of France drama
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Reviews
'The Bare Necessity': Cannes Review
Two lonely individuals find each other in a rural French town
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Reviews
'The Lighthouse': Cannes Review
Robert Eggers follows up The Witch with a starkly-compelling Expressionist drama
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Reviews
'Alice And The Mayor': Cannes Reviews
The Mayor of Lyon needs help to come up with new ideas in this lively, funny film
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Reviews
'Oleg': Cannes Review
A timely and impressive second feature from Latvian director Juris Kursietis
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Reviews
'First Love': Cannes Review
This riotously entertaining bloodbath from Takashi Miike might be his most commercial film in a while