All Distribution articles – Page 632
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News
Aftershock sets Chinese-language box-office record
Chinese filmmaker Feng Xiaogang’s disaster drama Aftershock has become the biggest Chinese-language film in Chinese film history, taking $78.47m (RMB532m) in box-office grosses.
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Caroline Stern joins Kaleidoscope Entertainment
UK-based Kaleidoscope Entertainment has appointed Caroline Stern as Director of International Sales and Acquisitions.
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Inception reaches quarter-billion overseas on $48m hold
Inception maintained its winning ways as an estimated $47.8m hold from more than 8,144 screens in 61 markets helped the sci-fi thriller stay top overseas.
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Millennium sells US rights on The Mechanic to CBS Films
CBS Films has acquired US rights from Millennium Films to The Mechanic starring Jason Statham and directed Simon West.
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The Other Guys arrests Inception with $36m debut
Sony’s Will Ferrell comedy The Other Guys usurped Inception for the first time in four weeks as it opened top on an estimated $35.6m.
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Inception heads into weekend as overseas box office favourite
After crossing $200m by Thursday [5] Inception was expected to retain its crown. Warner Bros will look to keep momentum going with two significant launches in Spain and Brazil.
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Palestine’s Cinema Jenin re-opens thanks to international support
Cinema Jenin, one of Palestine’s largest and most impressive movie houses, is re-opening today thanks to international support after remaining closed for more than 20 years since the first Intafada in 1987.
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Features
The empire builder
In a short time, Relativity Media has become one of the biggest players in the business − and that now includes its own domestic distribution operation. Company founder Ryan Kavanaugh speaks to Jeremy Kay.
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News
Film Movement gets Helena
Film Movement has acquired ensemble drama Helena From The Wedding for the US and Canada. The film will get a limited New York theatrical run in November and a cable VOD premiere in December.
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Altadena takes on Saving Amy
Altadena Films has added ForgeFilms’ rite-of-passage drama Saving Amy to its international sales slate.
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Ofcom calls for UK movie channel probe
In a move that could have significant implications for UK pay TV giant BskyB, UK media regulator Ofcom has asked the country’s Competition Commission to investigate the sale and distribution of subscription premium pay TV movies.
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Golden Gate Creations sets up hubs in India, Los Angeles
Fledgling Indian production and distribution company Golden Gate Creations is set to release its first feature Soch Lo (Think About It!).
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Summit sets Breaking Dawn Part 2 for November 16 2012
The Twilight Saga: Breaking Dawn – Part 2 will mark the culmination of the vampire series which has already grossed more than $1.7bn worldwide with two films still to open.
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Korean competitors work together on Im Kwon-taek's 101st film
Korean master Im Kwon-taek’s 101st film is set to be co-distributed by South Korea’s top three investor-distributors: CJ Entertainment, Showbox Mediaplex and Lotte Entertainment.
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Araki explains decision to pull Kaboom from UK's FrightFest
Director Gregg Araki has issued a statement to explain his film Kaboom being pulled from UK’s FrightFest.
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E1 strikes UK, Canada deal for Gnomeo And Juliet
E1 has taken UK and Canadian rights to Kelly Asbury’s 3D animation Gnomeo And Juliet from Pathe International.
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Russian government finally approves plan for new regional cinemas
The Russian government has finally approved an ambitious project for the construction of 253 new cinemas in the country’s regions by 2029.
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O-Scope appeals against MPAA rating on Holocaust doc
Oscilloscope Laboratories will appeal on August 5 against the MPAA’s decision to give an R rating to the Holocaust documentary A Film Unfinished for “disturbing images of Holocaust atrocities including graphic nudity.”
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News
Strand takes US rights to Tribeca entry The Arbor
Strand Releasing has acquired all US rights to Clio Barnard’s Tribeca entry The Arbor from Wavelength Pictures.
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Lorber acquires US rights to Who Is Harry Nilsson doc
Lorber Films has picked up all US rights to the documentary Who Is Harry Nilsson (And Why Is EverybodyTalkin’ About Him)?