‘The Brutalist’ composer Daniel Blumberg on living with Brady Corbet whilst working on the film
“I’m used to living with Brady,” says Blumberg. “For me it’s all about the director, trying to be an extension of Brady’s instincts.”
UK film awards campaigners talk Bafta nominations, jury changes and new family award
“If I were a betting man, I would bet on Conclave,” suggests one. “It’s an easy-to-like film, and I don’t mean that as a diss.”
Bespoke jewellery and "a claustrophobic mood": creating the visual look of 'Conclave'
The Conclave crafts team trod a line between Vatican reality and creative imagination.
Sundance head previews 2025 line-up: “a programme that is ready to meet an audience”
Festival is ready for what could be its second-to-last year in Park City.
10 talking points for the US and international film industry in 2025
Topics include AI, the Trump effect on M&As, US vs international production hubs, and continued cuts to public funding.
Jon M Chu breaks down four key scenes from ‘Wicked’: "everything had to have a little spin on reality"
Universal’s two-film adaptation of hit stage musical Wicked is a gamble that has already paid off, creatively and commercially. Director Jon M Chu tells Screen about the choices he made in four key scenes.
Brady Corbet on the seven-year journey to make ‘The Brutalist’: “I was pretty relentless”
Art and commerce clash in Brady Corbet’s The Brutalist. The filmmaker, who battled for years to realise his vision for the epic drama, can relate personally — as he tells Screen.
‘Emilia Pérez’ designers on creating a collision of reality and fantasy
The film was a studio-based shoot at Bry-sur-Marne studios in the Paris suburbs.
“Hard to comprehend”: Screen’s LA team reflect on their own experiences of the devastating wildfires
A city with a reputation for storytelling now has thousands of new tales of woe.
11 hot topics from the Bafta nominations: voters embrace genre films, Cannes premieres, Gen Z stars
It is also a mixed year for UK talent and women are missing in many key categories.
“The future is about multi-territory rights”: Curzon’s Philip Knatchbull reveals his priorities
Knatchbull has returned to Curzon following its acquisition by US investment group Fortress.
How James Mangold avoided “standard biopic tropes” in Bob Dylan film ‘A Complete Unknown’
The writer/director tells Screen about the film’s own five-year journey.
Buyers head to Paris Rendez-Vous, eager to be part of French cinema’s success story
Unifrance’s Rendez-Vous with French Cinema is a key event for international distributors.
