All Features articles – Page 12
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Features
Filmart’s Peggie Liu on the changes and challenges of its 2022 online edition
Associate director at Hong Kong’s Filmart looks ahead to the third virtual edition.
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Hong Kong industry director Jacob Wong on taking films from “cradle to maturity”
Wong reveals why he is spending more time in China.
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Hong Kong’s Filmart readies third virtual edition as buyers “appetite for film still strong”
Asia’s largest content market is set to roll out for a third year online.
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Departing Berlinale Generation head Maryanne Redpath on 30 years at the festival
Redpath talks programming for young audiences, recalls hugging Tilda Swinton
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Andrew Dominik on his new Nick Cave doc, why 'Blonde' is a "masterpiece"
Australian director discusses his Nick Cave documentary This Much I Know To Be True and upcoming Netflix project Blonde.
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“There will be a lot of rules”: Berlin co-chief Mariette Rissenbeek on what to expect at the festival
The Berlinale’s co-head on the challenges ahead and her most highly anticipated moment of this year’s festival.
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Berlin 2022: Screen’s guide to the Special, Forum and Generation titles
The Berlinale unfolds this year as an in‑person event, while the European Film Market has been forced online for a second time
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Berlin 2022: Screen’s guide to the Panorama titles
The Berlinale unfolds this year as an in‑person event, while the European Film Market has been forced online for a second time.
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Features
Berlin 2022: Screen’s guide to the Encounters titles
Screen profiles the Competition, Encounters, Panorama and Specials strands.
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Features
Berlin 2022: Screen’s guide to the Competition titles
The Competition line-up includes new titles by Claire Denis, Phyllis Nagy, Rithy Panh, Hong Sangsoo, Francois Ozon and Denis Côté.
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Features
Lemming Film is forging ahead with an ambitious film and TV slate
Dutch outfit produced Sam de Jong’s Rotterdam contender, ‘Met Mes’.
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Features
Guillermo del Toro on his close collaboration with Bradley Cooper on ‘Nightmare Alley’: “It changed the way I shoot things”
del Toro’s ‘The Shape of Water’ won four Oscars in 2018, including best film and best director.
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How ‘Petite Maman’ director Celine Sciamma establishes “a safe space for radical feelings”
Sciamma wrote, shot and released Petite Maman throughout the pandemic.
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Features
The long road to success for ‘Lunana: A Yak In The Classroom’: “Bhutan was not an option on the Academy list”
The film has made the Academy international feature shortlist, as Bhutan’s second-ever submission.
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Rotterdam industry head Marit van den Elshout on this year’s theme of “the new possible”
The head of IFFR Pro Days reflects on 15 years in the role and what the future holds.
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Rotterdam’s Vanja Kaludjercic on the “exhilaration” of turning an online event around in a month
A physical event was planned until late December.
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“Each job felt like a triumph”: ‘Mass’ lead Ann Dowd on sticking with acting through hard times
”I never thought of myself as an ingenue. Nor did anyone else, for that matter.”
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Features
Banjos and bassoons: how ‘The French Dispatch’ composer Alexandre Desplat collaborates with Wes Anderson
The fifth feature collaboration to date between the composer and Anderson has a “more American, jazzy/bluesy” feel.
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Features
“The beginning of an explosion”: ‘The Mitchells Vs The Machines’ team on advances in animation
“There are a lot of X-Men on screen, and I don’t know any X-Men. But I do know families that don’t get along.”
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Features
58 European films to tempt festival directors in 2022
The hot list of films from established and rising directors.