All Features articles – Page 24
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Features
How ‘Promising Young Woman’ overcame challenges and controversy
“We’re always looking for something that could be where culture may be going.”
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My Screen Life: Oscar-nominated producer Lynette Howell Taylor
”I would direct it — no way would I leave that in the hands of someone else!”
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Training: how virtual production will become essential beyond the pandemic
With virtual production techniques increasing in popularity during the pandemic, the industry workforce must get to grips with the new technology.
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Berlin 2021: all the key deals signed at the European Film Market
Sellers told Screen they were impressed by the business that took place during this year’s European Film Market.
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The fight to make ‘Sound Of Metal’: “Hollywood didn’t want to hear about heavy metal and deaf people”
Sound Of Metal began as a hybrid docufiction in 2007, directed by Derek Cianfrance, and emerged over a decade later as the fiction feature debut of Darius Marder
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Screen craft: DoP Tobias A Schliessler on the photos that inspired ‘Ma Rainey’s Black Bottom’
“We had the cameras in this small room hiding behind a piano.”
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Screen craft: Erik Messerschmidt on rebuilding Old Hollywood through the cinematography of ‘Mank’
“By the time [David Fincher] approaches you, he can see how the film would be laid out in his head.”
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Screen craft: DoP Mandy Walker on ‘Mulan’ battle scenes, Baz Luhrmann’s Elvis film
“With Yifei Lui’s stunts, we were able to capture her reactions in real time.”
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Screen craft: the documentary skills that helped Newton Thomas Sigel shoot Spike Lee’s ‘Da 5 Bloods’
”Today cinematographers have so many more tools than we had when I began.”
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Ellen Burstyn talks Scorsese, industry changes and 'Pieces Of A Woman's explosive climax
Now in her seventh decade as a screen actor, six-time Oscar nominee Ellen Burstyn is respected for her talent, dedication and instinct for powerfully dramatic roles. Screen talks to her about the fierce - but loving - matriarch in Pieces Of A Woman
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Celine Sciamma talks Berlin Competition title ‘Petite Maman’: “I wanted this film in the world as soon as possible”
The French director only finished the film right before Berlin started.
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The story behind the costumes from five female-fronted awards contenders
‘Emma’, ‘Promising Young Woman’, ‘The United States Vs Billie Holiday’ and more share costume secrets.
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How ‘Welcome To Chechnya’ team digitally disguised endangered LGBTQ subjects
Director David France and VFX supervisor Ryan Laney reveal how they laid “digital veils” over persecuted LGBTQ Chechens.
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My Screen Life: German producer Fabian Gasmia on persuading his peers to take up yoga
Gasmia on his love for the Berlinale, Euphoria and long walks with his daughter.
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From R&B star to Golden Globes glory: Andra Day talks ‘The United States Vs Billie Holiday’
”The last thing I wanted to do as a lover of this woman was to sabotage her legacy.”
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“I thought more about Donald Trump than anybody else”: Charles Dance talks ‘Mank’
The UK actor discusses his rich run of roles and reuniting with director David Fincher, nearly three decades after appearing in the ill‑fated ’Alien3’.
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How Sidney Flanigan got in the headspace for ‘Never Rarely Sometimes Always’
”Eliza [Hittman] would be off-screen saying things like, ‘Push your hair behind your ear’.”
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“There are still attempts to stifle what it is to be black”: Daniel Kaluuya, LaKeith Stanfield on ‘Judas And The Black Messiah’
Judas And The Black Messiah is a drama that arrives with added contemporary resonance.
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‘Ma Rainey’s Black Bottom’ director George C Wolfe on celebrating black performers
The filmmaker on the “ferocity of commitment” of the late Chadwick Boseman
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“I understand this character inside out”: Anthony Hopkins on ‘The Father’ and TikTok dancing
The Oscar-winning actors says he knew immediately that he wanted to play the title role in Florian Zeller drama, about a man with dementia.