All Features articles – Page 70
-
Features
'Fire At Sea' seller Doc & Film on dealing arthouse movies
Daniela Elstner, managing director of Paris-based sales company Doc & Film International, talks about selling foreign-language titles to the world.
-
Features
'Afterimage': the journey behind Andrzej Wajda's final film
Afterimage producer Michal Kwiecinski tells Geoffrey Macnab why Andrzej Wajda’s film about a great Polish artist is a fitting tribute to the late director’s remarkable career.
-
Features
Black Nights 2016: Industry@Tallinn preview
The industry programme at Tallinn Black Nights Film Festival (Nov 11-27) offers a wealth of attractions for international guests.
-
Features
Hannes Holm on Oscar hopeful 'A Man Called Ove', Sweden's biggest box office hit in 32 years
Swedish writer/director discusses the challenge of bringing a beloved bestseller to the big screen.
-
Features
Juho Kuosmanen on why boxing movie 'Olli Maki' is the 'anti-Rocky'
Finnish director discusses debut feature The Happiest Day In The Life of Olli Maki, Finland’s 2016 Oscar submission.
-
Features
Tallinn Black Nights 2016 preview: making the A-list
Tallinn Black Nights Film Festival (Nov 11-27) will offer a raft of intriguing projects, as film-makers cast their spell over the Estonian capital.
-
Features
Claude Barras talks Oscar hopeful 'My Life As A Courgette'
Director Claude Barras tells Geoffrey Macnab why he could not have made his stop-motion animation My Life As A Courgette in any other format.
-
Features
Paul Verhoeven talks 'Elle' and why he fled to Hollywood
Dutch director Paul Verhoeven describes how it feels to represent France for the foreign-language Oscar with his latest feature, Elle.
-
Features
Anne V. Coates, editor, 'Lawrence Of Arabia'
The legendary editor of Lawrence Of Arabia, Becket and Out Of Sight was in Hollywood on Saturday night [November 12] to collect an honourary Oscar from Richard Gere for her services to the film industry.
-
Features
Oscars 2017: inside the 85 best foreign-language submissions
The longlist of entries for consideration in the foreign language Oscar category is a feast of cinema from film-makers around the world, including several established masters, a strong crop of newcomers and one or two surprises.
-
Features
Oscars 2017: European submissions for best foreign-language film
Inside the European entries to this year’s foreign-language Oscar race.
-
Features
Oscars 2017: Asia-Pacific, Middle East, African submissions for best foreign-language film
Inside the Asia-Pacific, Middle East, and African entries to this year’s Foreign-Language Oscar race.
-
Features
Oscars 2017: North & South American submissions for best foreign-language film
Inside the North & South American entries to this year’s Foreign-Language Oscar race.
-
Features
Gallery: British Film Reception at AFM
British film industry figures were out in force at the market event on November 7.
-
Features
Golden Lion winner Roy Andersson reveals details of next project
Two years after he won Venice’s Golden Lion with A Pigeon Sat On A Branch Reflecting On Existence, Roy Andersson is hard at work in his Stockholm studio on his next feature — but don’t mark your festival diary until 2019.
-
News
AFM: Asia-Pacific VoD market set for huge growth
Statistics were revealed during Screen’s VoD panel at the American Film Market.
-
Features
Doug Liman discusses VR project 'Invisible'
Used to working on a big-budget cinematic canvas with the likes of The Bourne Identity and Edge Of Tomorrow, director Liman has made his first foray into virtual reality with groundbreaking project Invisible.
-
Features
'The People vs. OJ Simpson' creator Larry Karaszewski talks future projects
Fresh from the Emmy success of The People vs. OJ Simpson US screenwriter Larry Karaszewski talks about his upcoming Jonathan McAfee and Patty Hearst projects.
-
Features
Is Netflix's 'Divines' acquisition a game-changer for indie film?
Camera d’Or winner Divines gets a worldwide release on Netflix in November.
-
Features
Infrastructure analysis: Can UK studios maintain the pace?
The UK’s studio infrastructure faces unprecedented demand from Hollywood tentpoles and high-end television.