All Features articles – Page 84
-
FeaturesAwards season preview: a shot at glory
As the autumn festival line-ups are revealed, Screen analyses the titles in pole position for a competitive awards season.
-
FeaturesTIFF 2015: Terence Davies talks 'Sunset Song'
Terence Davies has been striving to bring Sunset Song to the big screen for 15 years. Ahead of the film’s world premiere in Toronto, he tells Screen why the classic novel struck such a powerful chord.
-
FeaturesTIFF 2015: Interview, Charlotte Mickie
Charlotte Mickie continues to champion bold, authentic voices at Mongrel Media’s new international arm. Screen talks to her about the company’s diverse slate.
-
FeaturesTIFF 2015: Jean-Marc Vallée talks 'Demolition'
After Dallas Buyers Club and Wild, Jean-Marc Vallée hopes awards season magic strikes again with this year’s TIFF opener Demolition.
-
FeaturesTIFF 2015: Martin Pieter Zandvliet talks 'Land Of Mine'
Land Of Mine, based on the true story of mine clearance by German POWs in Denmark, makes its bow in TIFF’s Platform strand.
-
FeaturesTIFF 2015: Hany Abu-Assad talks 'The Idol'
Hany Abu-Assad, the Oscar-nominated director of Omar and Paradise Now, tells Screen about his latest film The Idol, which charts the unlikely true story of how Palestinian singer Mohammed Assaf won talent contest Arab Idol. Interview by Andreas Wiseman.
-
+-+Director.jpg)
FeaturesTIFF 2015: Hou Hsiao-Hsien talks 'The Assassin'
Taiwanese director Hou Hsiao-Hsien has had a banner year, with Cannes’ best director prize under his belt and a stint on the Venice jury. Ahead of its TIFF screening, he talks to Damon Wise about The Assassin.
-
FeaturesTIFF 2015: Midnight Madness
Midnight Madness is showcasing a collection of international genre titles including Baskin, Hardcore and The Devil’s Candy. But horror films don’t always give directors an easy ride, as Tom Grater reports.
-
FeaturesSue Brooks, 'Looking For Grace'
SCREEN SUBSCRIBERS: Australian director Sue Brooks on realising a dream, exciting newcomer Odessa Young and the on-going challenges faced by women directors.
-
FeaturesFinding 'Francofonia'
SCREEN SUBSCRIBERS: Francofonia producer Pierre-Olivier Bardet tells Screen how the production built Aleksandr Sokurov’s ambitious docu-fiction.
-
FeaturesStevan Filipović, 'Next to Me'
After the Serbian writer-director Stevan Filipović’s third film Next to Me received its world premiere in the international competition of Pula Film Festival and won the main prize, it screened in the Sarajevo Film Festival’s Avant Premieres section.
-
FeaturesInes Tanović, 'Our Everyday Life'
Bosnian writer-director Ines Tanović talks about her first feature Our Everyday Life, which screens in Sarajevo Film Festival’s competition.
-
FeaturesSignature CEO reveals expansion plans
UK distributor Signature Entertainment plans to release more than 100 films next year. Screen spoke to CEO Marc Goldberg about expansion.
-
FeaturesEastern Europe: Reinventing the reel
Ahead of the European Film Forum’s exhibition panel in Sarajevo, Geoffrey Macnab looks at how fresh thinking is leading to new opportunities for cinemas in eastern Europe.
-
FeaturesDigital Single Market: Breaking borders
The potential European digital single market is a major challenge facing European productions. Geoffrey Macnab previews a Sarajevo co-production panel that will examine the controversial proposals.
-
FeaturesShaun Monson, 'Unity'
For Shaun Monson, traditional storytelling just doesn’t cut it anymore. Even documentaries on a single issue aren’t enough. Angela Lee reports on a unique screening event this week.
-
FeaturesKathy Wolfe, Wolfe Releasing
The leading LGBT distributor in the US looks back on her 30 years in the business.
-
FeaturesIsraeli artists sound alarm over growing censorship
According to local filmmakers, the recent suppression of documentary Beyond The Fear is just one episode in a quickening erosion of artistic freedom in Israel.
-
FeaturesAir New Zealand
As keen supporters of the film and entertainment industry, Air New Zealand offers a daily London-LAX service, on-board innovation and an exceptional understanding of passenger needs.
-
FeaturesDigital’s phase two
An array of new presentation options are emerging as digital cinema reaches market saturation. But cost, complexity and legacy projection equipment remain significant issues, reports Adrian Penningon.