All Features articles – Page 85
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Features
TIFF 2015: Hou Hsiao-Hsien talks 'The Assassin'
Taiwanese director Hou Hsiao-Hsien has had a banner year, with Cannes’ best director prize under his belt and a stint on the Venice jury. Ahead of its TIFF screening, he talks to Damon Wise about The Assassin.
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Features
TIFF 2015: Midnight Madness
Midnight Madness is showcasing a collection of international genre titles including Baskin, Hardcore and The Devil’s Candy. But horror films don’t always give directors an easy ride, as Tom Grater reports.
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Sue Brooks, 'Looking For Grace'
SCREEN SUBSCRIBERS: Australian director Sue Brooks on realising a dream, exciting newcomer Odessa Young and the on-going challenges faced by women directors.
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Features
Finding 'Francofonia'
SCREEN SUBSCRIBERS: Francofonia producer Pierre-Olivier Bardet tells Screen how the production built Aleksandr Sokurov’s ambitious docu-fiction.
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Stevan Filipović, 'Next to Me'
After the Serbian writer-director Stevan Filipović’s third film Next to Me received its world premiere in the international competition of Pula Film Festival and won the main prize, it screened in the Sarajevo Film Festival’s Avant Premieres section.
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Ines Tanović, 'Our Everyday Life'
Bosnian writer-director Ines Tanović talks about her first feature Our Everyday Life, which screens in Sarajevo Film Festival’s competition.
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Signature CEO reveals expansion plans
UK distributor Signature Entertainment plans to release more than 100 films next year. Screen spoke to CEO Marc Goldberg about expansion.
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Features
Eastern Europe: Reinventing the reel
Ahead of the European Film Forum’s exhibition panel in Sarajevo, Geoffrey Macnab looks at how fresh thinking is leading to new opportunities for cinemas in eastern Europe.
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Digital Single Market: Breaking borders
The potential European digital single market is a major challenge facing European productions. Geoffrey Macnab previews a Sarajevo co-production panel that will examine the controversial proposals.
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Shaun Monson, 'Unity'
For Shaun Monson, traditional storytelling just doesn’t cut it anymore. Even documentaries on a single issue aren’t enough. Angela Lee reports on a unique screening event this week.
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Kathy Wolfe, Wolfe Releasing
The leading LGBT distributor in the US looks back on her 30 years in the business.
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Features
Israeli artists sound alarm over growing censorship
According to local filmmakers, the recent suppression of documentary Beyond The Fear is just one episode in a quickening erosion of artistic freedom in Israel.
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Features
Air New Zealand
As keen supporters of the film and entertainment industry, Air New Zealand offers a daily London-LAX service, on-board innovation and an exceptional understanding of passenger needs.
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Features
Digital’s phase two
An array of new presentation options are emerging as digital cinema reaches market saturation. But cost, complexity and legacy projection equipment remain significant issues, reports Adrian Penningon.
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The data revolution
Data analytics helped Netflix brew up its hit show House Of Cards, but as a useful industry tool it’s still in its infancy. Nikki Baughan explores the potential of data for other broadcasters, exhibitors and studios.
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Virtual reality bytes
Studios and VFX facilities are experimenting with animated and live-action virtual reality in anticipation of a new consumer mass market. Adrian Pennington reports.
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Features
IMAX: Size matters
With its global expansion strategy in full flow and a raft of blockbusters to fill its screens, the picture continues to look rosy for IMAX. CEO Richard Gelfond and EMEA president Andrew Cripps sit down with Matt Mueller.
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CineEurope’s mass appeal
As CineEurope (June 22-25) enters its fourth year in Barcelona, Nikki Baughan looks at the evolution of Europe’s largest exhibition and distribution showcase.
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Features
The premium cinema blend
With cutting-edge premium cinema systems being pushed into the global marketplace, are mainstream exhibitors ready to make the technological and financial leap to adopt them? John Hazelton reports.
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Features
ILM London: A force to be reckoned with
With Avengers: Age Of Ultron tearing up the box office and Star Wars: The Force Awakens on its hard drives, ILM London is looming large on the UK VFX scene. Michael Rosser speaks to head Ben Morris