All Features articles – Page 172
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FeaturesHow cutting the budget helped James Mangold get ‘Ford V Ferrari’ over the line
The racing drama’s journey to the screen involved a decade of stops and starts, director James Mangold tells Mark Salisbury.
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Features'I Lost My Body' filmmakers talk working with Netflix on their quirky severed hand animation
Ben Dalton talks to the filmmakers about the creative journey behind one of the year’s most inspired animated features
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FeaturesRian Johnson compares working on 'Knives Out' to 'Star Wars': "it's still the same essential process"
Johnson’s whodunnit stars Daniel Craig as a private investigator.
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FeaturesMaking 'A Shaun The Sheep Movie: Farmageddon’: "we could parody lots of sci-fi tropes"
Aardman’s second feature-length Shaun The Sheep movie gambols into the sci-fi realm.
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FeaturesFilms of the year 2019: Lee Marshall
Italy-based Marshall joined Screen in 1996. He also writes about art, travel and design for UK, US and Italian publications.
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FeaturesFilms of the year 2019: Lisa Nesselson
Nesselson is in-house film critic for the English-language channel of France24, and has reviewed for Screen since 2008.
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FeaturesFilms of the year 2019: Sarah Ward
Ward joined Screen in 2015, and writes for Concrete Playground, SBS and others, and is on ABC Radio.
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FeaturesFilms of the year 2019: Allan Hunter
Hunter has worked for Screen since 1990. He is based in Edinburgh, and is also co-director of Glasgow Film Festival.
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FeaturesFilms of the year 2019: Jonathan Romney
A longtime contributor, Romney also writes for Film Comment, Sight & Sound and The Observer, and teaches at NFTS.
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FeaturesFilms of the year 2019: Wendy Ide
Ide joined Screen in 2015 as a London-based critic, and also writes for The Observer and Sight & Sound.
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FeaturesFilms of the year 2019: Tim Grierson
Screen’s senior US critic, LA-based Grierson has written for the publication since 2005.
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FeaturesFilms of the year 2019: Fionnuala Halligan
Halligan is Screen’s chief film critic and reviews editor.
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FeaturesGerman 2019 box office report: downward trend reversed but local films suffer
One bright spot was the surprise success of Nora Fingscheidt’s international festival favourite System Crasher.
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FeaturesAnimation contenders focus: ‘The Swallows Of Kabul’, ‘The Tower’, ‘Another Day Of Life’
A trio of works inspired by real-world events is shaking up the animated feature film category’s traditional focus on comedy and fantasy.
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FeaturesAwards whispers: anonymous UK voters discuss Bafta’s outstanding British film category
Is this the moment to opt for smaller indie fare?
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FeaturesWhy the film industry needs to open up about mental health
Long hours, freelance contracts and distressing storylines can make the film industry a challenging place to work.
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FeaturesFrench 2019 box office report: admissions recover, indie market share declines
The box office in France bounced back this year with the upper reaches of the chart were dominated by Disney.
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FeaturesBafta film chiefs talk streaming challenges, eligibility rules, date changes
Amanda Berry, CEO of Bafta, and Emma Baehr, director of awards and membership, sit down with Screen.
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FeaturesRobert Eggers on why his actors endured “physical misery” whilst making ‘The Lighthouse’
Writer/director Robert Eggers tells Demetrios Matheou about conjuring up the intense atmosphere of The Lighthouse.
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FeaturesWord of Mouth: “I follow younger critics and general agitators on Twitter”
The UK’s Mia Bays on who she trusts for film and TV recommendations.