All Features articles – Page 248
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FeaturesDubai Q&A: Abdulla Al Kaabi talks debut 'Only Men Go To The Grave'
Abdulla Al Kaabi talks to William Mullally about his debut feature, which received its world premiere in the Muhr Emirati competition at this year’s DIFF.
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FeaturesHow Damien Chazelle made 'La La Land' for just $30m
How did Damien Chazelle craft a lavish, old-style Hollywood musical on a $30m budget? The writer-director and his lead producers tell Matt Mueller the story behind his ridiculously ambitious third feature.
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FeaturesCall For Submissions: Screen's Berlin EFM 2017 Product Guide
EXTENDED DEADLINE: Screen International presents our 2017 Berlinale/EFM Product Guide
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FeaturesDubai Q&A: Philippe Aractingi, 'Listen'
Award-winning director Philippe Aractingi talks to William Mullally about sound and sensuality in his latest film, Listen, which premiered in DIFF’s Arabian Nights strand.
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FeaturesHow did UK films fare in the US in 2016?
The Downton effect is pulling US audiences to UK films of a certain heritage.
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FeaturesWhich foreign films made a mark in the US in 2016?
What does a foreign-language film have to do to make a mark in the US market? John Hazelton looks at 2016’s releases and weighs the impact of awards, title recognition and streaming.
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FeaturesWhy the European Film Awards have never been more timely
In a turbulent year for the continent’s politics, the European Film Awards will celebrate the best of European film-making and honour the memory of the late Andrzej Wajda.
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FeaturesCNC seeks international applicants for ACM distribution fund
PROMOTIONAL FEATURE: Fund has supported 230 projects from 75 territories to date.
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FeaturesDubai: blending the old and new
The Lumiere brothers and virtual reality feature in this year’s Dubai International Film Festival programme.
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FeaturesHow 'Sons Of Anarchy' actor Taylor Sheridan became one of Hollywood's hottest writers
Former Sons Of Anarchy actor Taylor Sheridan explains why he took up writing, a move that has paid off with acclaimed scripts for Sicario and Hell Or High Water.
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FeaturesArab Stars of Tomorrow 2016 profiles: Amjad Al-Rasheed
Screen’s inaugural Arab Stars of Tomorrow showcases the region’s up-and-coming young talent. Jordan’s Amjad Al-Rasheed, director of short The Parrot, is gearing up for his first feature.
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FeaturesArab Stars of Tomorrow 2016 profiles: Samer Ismail
Screen’s inaugural Arab Stars of Tomorrow showcases the region’s up-and-coming young talent. Syrian actor Samer Ismail is rebuilding his career against the backdrop of the country’s civil war.
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FeaturesArab Stars of Tomorrow 2016 profiles: Mounia Akl
Screen’s inaugural Arab Stars of Tomorrow showcases the region’s up-and-coming young talent. Writer-director Mounia Akl’s short Beirut, I Love You set the former architecture student on a path to Cannes and DIFF.
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FeaturesArab Stars of Tomorrow 2016 profiles: Mariam Alferjani
Screen’s inaugural Arab Stars of Tomorrow showcases the region’s up-and-coming young talent. Former medial student Mariam Alferjani is now preparing her first feature as a director.
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FeaturesArab Stars of Tomorrow 2016 profiles: Alaa Eddine Aljem
Screen’s inaugural Arab Stars of Tomorrow showcases the region’s up-and-coming young talent. Director Alaa Eddine Aljem founded his own company to produce his works, and his tenacity has resulted in high-profile support.
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FeaturesMel Gibson on 'Hacksaw Ridge' and faith: "I’ll sort my stuff out, maybe in private"
Mel Gibson tells Jeremy Kay why he chose to make a return to directing with Hacksaw Ridge - a Second World War drama about faith, love and redemption - after an infamous decade in the headlines for all the wrong reasons.
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FeaturesRobert Schenkkan on why 'Hacksaw Ridge' hero is antithesis of Donald Trump
Hacksaw Ridge screenwriter Robert Schenkkan talks to Jeremy Kay about why he believes the violent story of peace-loving war hero Desmond Doss is so relevant to our troubled times.
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FeaturesThe growing value of micro-budget films
Lady Macbeth and The Levelling, each made for around $600,000, are two of the most critically lauded UK films of the year. Has the stigma of micro-budget film-making finally disappeared?
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FeaturesUK box office 2016 verdict: the surprise hits and misses
Did the record-breaking success of 2015 help tempt consumers back into the cinema-going habit?
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FeaturesHow Matt Damon convinced Kenneth Lonergan to direct again after 'Margaret' "ordeal"
Kenneth Lonergan tells Jeremy Kay why he balanced tragedy with humour in his third feature film, Manchester By The Sea.