All Features articles – Page 264
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FeaturesCannes: Michele Russo talks 'The Family Whistle'
Michael Russo tracks the history of the Coppola clan in doc The Family Whistle.
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FeaturesCannes: Riccardo Scamarcio on Buena Onda’s sweet success
The Italian production company run by Riccardo Scamarcio [pictured] and Valeria Golino is back in Cannes.
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FeaturesCannes: Kleber Mendonca Filho, 'Aquarius'
Brazilian director discusses his Cannes Competition drama.
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FeaturesCannes Q&A: Juho Kuosmanen, 'The Happiest Day In The Life Of Olli Maki'
The Finnish director makes his debut feature with a boxing story more about romance than the ring.
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FeaturesCannes: Justine Triet on 'In Bed With Victoria'
Triet’s latest stars Virginie Efira as a workaholic Parisian lawyer.
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FeaturesBruno Dumont talks 'Slack Bay' and his newfound love of comedy
French director discusses his Competition comedy Slack Bay.
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FeaturesCannes: Daniel Dubiecki, Lara Alameddine talk 'Money Monster'
The film’s producers discuss the long-gestating project.
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FeaturesMohamed Diab, dazed and bruised in Cairo
Diab talks to Screen about his Un Certain Regard-opener Clash.
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FeaturesIn conversation with: Alain Guiraudie
Stranger By The Lake director competing for the Palme d’Or with Staying Vertical.
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FeaturesPaul Verhoeven talks returning to Cannes with 'Elle'
The Dutch director, whose Basic Instinct opened the Cannes Film Festival in 1992, discusses his Competition title Elle.
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FeaturesPaddy Considine on directing himself in boxer drama 'Journeyman'
The British actor and filmmaker reveals why he chose to centre on a boxer for his second film as a director and taking on the challenge of directing himself.
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FeaturesJames Schamus: What makes something a movie?
In a preview of his talk at Sundance Film Festival London on June 4, the American industry veteran looks at the challenges of how to define a film in the era of multi-platform content.
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FeaturesNathan Morlando, from the shadows
Nathan Morlando talks Screen through his coming-of-age drama Mean Dreams, which takes its place in Directors’ Fortnight.
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FeaturesKim Nguyen, love in the cold
Four years on from the Oscar-nominated War Witch, Kim Nguyen returns with a romantic drama set near the North Pole. Screen speaks to the writer-director.
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FeaturesXavier Dolan goes full circle
After his 2014 Jury Prize for Mommy and serving on the Competition jury last year, Quebec writer-director Xavier Dolan returns to Cannes with It’s Only The End Of The World. He tells Screen why his starry film marks a career turning point
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FeaturesCannes 2016: Film profiles
Screen profiles the world premieres at the 69th Cannes Film Festival as the global superstars of film take their place once again on the Croisette
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FeaturesAgustin Almodovar talks 'Julieta', producing and the state of Spanish film
With brother Pedro in Cannes Competition with Julieta, Agustin Almodovar reflects on their role as international producers and why he is less than thrilled with Spain’s film landscape. By Elisabet Cabeza
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FeaturesNicolas Winding Refn's 'The Neon Demon': Dressed To Kill
A tale of beauty obsession and obsessive beauties in the ruthless world of Los Angeles fashion, The Neon Demon is Nicolas Winding Refn’s first venture into horror. The Danish film-maker and producing partner Lene Borglum tell Wendy Mitchell about their Cannes Competition title
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FeaturesCannes 2016: Midnight Screenings
The full line-up of Midnight Screenings world premieres at the 69th Cannes Film Festival with details on each title including sales contacts.
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FeaturesCannes 2016: Critics' Week
The full line-up of Critics’ Week world premieres at the 69th Cannes Film Festival with details on each title including sales contacts.