All Features articles – Page 268
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Features"Questions were asked in parliament": the story behind LGBT film festival BFI Flare
Charles Gant chronicles the evolution of London’s long-running LGBT film festival.
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FeaturesFilmart 2016: HAF profiles
Profiles of projects from the 14th Hong Kong - Asia Film Financing Forum (HAF).
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FeaturesFilmart 2016: Hot titles - Hong Kong, China
An exciting crop of Hong Kong and mainland China projects are spotlighted by Liz Shackleton, who reports on the increasing efforts to support Cantonese-language film-making
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FeaturesAmy Hobby, TFI Latin America Fund
Tribeca Institute recently unveiled the 10 projects selected to receive support in its drive to nurture distinctive voices from Latin America and the Caribbean.
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FeaturesAnne Hamilton, 'American Fable'
Jeremy Kay talks to the first-time feature director and former Terrence Malick intern about her SXSW selection, which premieres in Visions on Sunday.
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FeaturesAlex Taylor, 'Spaceship'
The British director’s SXSW short Kids Might Fly won a special jury prize in 2010 and he returns to Austin, Texas, with a story of alien abduction and teen angst.
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FeaturesAdam Pinney, 'The Arbalest'
Mike Brune stars in the SXSW Narrative Feature Competition selection as Foster Kalt, a toy inventor who reflects on his lifelong obsession with one Sylvia Frank.
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FeaturesJake Oelman and Robert Oelman, 'Learning To See'
Jake Oelman on his SXSW film about his father Robert, a former psychologist who left his life behind to move to Colombia where he spends his days photographing rare insects.
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FeaturesHow UK and European companies can tap into the China boom
Working with China is not easy but a year on from its much-vaunted treaty, UK producers are learning fast. Melanie Goodfellow looks at the increasing collaboration between the two countries.
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FeaturesMike Flanagan and Trevor Macy, 'Hush'
Director Mike Flanagan and producer and Intrepid Pictures principal Trevor Macy talk to Jeremy Kay about their latest horror film and Netflix acquisition ahead of its world premiere at SXSW on Saturday.
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FeaturesHong Kong International Film Festival: Fabulous at 40
Four decades on, Hong Kong International Film Festival has long introduced challenging Asian and international work to enthusiastic local audiences. Silvia Wong looks at how the event has evolved.
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FeaturesHong Kong Filmart: Asia’s knowledge platform
Hong Kong Filmart has evolved in line with Asia’s flourishing film businesses to become an event that is much more than buying and selling. Liz Shackleton reports.
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FeaturesOutpostVFX founder on growing business outside of London
By moving out of London, investing in new talent and pioneering free software Bournemouth-based OutpostVFX is attracting a range of US indies.
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FeaturesGregori Viens, 'And Punching The Clown'
Ahead of the world premiere in SXSW in 24 Beats Per Second on March 13, the director talks to Jeremy Berkowitz about grounding his films in reality, the impact of social media, and titles that start with the letter “A”.
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FeaturesHow heavyweight US-China deals are shaping the global business
Chinese investment is now racing into Hollywood and for once Hollywood is not in the driving seat. Liz Shackleton looks at what this means for the global film industry and discovers the smart money is now on the entrance of China’s tech giants.
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FeaturesAmr Waked on 'The Marriott Cell'
Lucy star Amr Waked explains why he was drawn to the adaptation of Mohamed Fahmy’s jail memoir The Marriott Cell and discusses upcoming films.
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FeaturesHow one US distributor scored 35 César nominations
Cohen Media Group talks acquiring European Oscar and César hopefuls and its expansion into exhibition.
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FeaturesHow Simon Fitzmaurice battled MND to make 'My Name Is Emily'
A diagnosis of motor neurone disease did not thwart Simon Fitzmaurice’s ambitions to make his first feature, which has gone on to score awards and distribution deals.
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FeaturesNew Sparta Films: strength in numbers
New Sparta Films MD Nicki Hattingh reveals the company’s roadmap for future growth.
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FeaturesEFM embraces Virtual Reality
Virtual reality (VR) was embraced in the European Film Market’s Startup Programme, now in its second year.