All Features articles – Page 273
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Features
Rotterdam: the new-look festival
Ahead of this month’s International Film Festival Rotterdam (Jan 27-Feb 7), new artistic director Bero Beyer talks about the radical changes he has introduced.
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Features
'The Revenant' producer Mary Parent on the biggest challenge of her career
After the Golden Globes, Bafta and Oscar nominations, The Revenant has become this awards season’s front-runner. Jeremy Kay talks to producer Mary Parent about bringing the most challenging project of her career to fruition
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Features
Sundance 2016: World Cinema film profiles
An Indian teen comedy, a New Zealand doc about tickling and a musical featuring mermaids in 1980s Warsaw are among the films jostling for primacy in Sundance’s World Cinema Dramatic and Documentary competitions.
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Features
Box Office 2015: A grand year abroad
SCREEN SUBSCRIBERS: The blockbusters got bigger in 2015 and so did the box office, but how did the top 10 US films perform around the world?
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Features
Tallinn: 'Erik Stoneheart', Screen Best Pitch winner
Estonia’s Ilmar Raag and Evelin Soosaar-Penttilä of Amrion Ltd. were the recipients of the latest Screen International Best Pitch Award at Tallinn’s Baltic Event for their film project ‘Erik Stoneheart’.
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Features
Composers: Johann Johannsson, 'Sicario'
Johann Johannsson’s score for Sicario rumbles and intimidates “like a beast lurching in slow motion”, he tells Tiffany Pritchard, who meets five of the composers in contention this awards season
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Features
Composers: Daniel Pemberton, 'Steve Jobs'
Having worked with Ridley Scott, Guy Ritchie and now Danny Boyle on Steve Jobs, Daniel Pemberton is rapidly becoming one of the industry’s most sought-after composers.
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Features
Composers: Carter Burwell, 'Carol', 'Anomalisa'
The self-taught composer of Carol and Anomalisa used very different methods to score - and conduct - both films
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Features
Composers: Alexandre Desplat, 'The Danish Girl'
The politically engaged composer discusses why he was drawn to Suffragette and The Danish Girl
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Features
Composers: Tom Holkenborg (aka Junkie XL), 'Mad Max: Fury Road'
More commonly known as Junkie XL, the Dutch composer turned to religious themes and heavy metal to score Mad Max: Fury Road
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Features
Q&A: Evgeny Afineevsky talks 'Winter On Fire'
The director discuss his documentary about the recent Ukrainian Revolution.
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Features
Q&A: Liz Garbus on 'What Happened, Miss Simone?'
The director discusses her Nina Simone documentary.
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Features
Palm Springs Q&A: Raam Reddy, 'Thithi'
The director discusses his India-US drama, which premired at Locarno in August.
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Features
Palm Springs Q&A: Thomas Stuber, 'A Heavy Heart'
The Leipzig-based director tells Jeremy Kay about earning the trust of his star, stage veteran Peter Kurth, who portrays a former East German boxer who receives life-changing news
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Features
Palm Springs Q&A: Andrew Steggall, 'Departure'
The director on his coming-of-age love story set in the south of France.
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Features
Anthony Dod Mantle talks shooting 'In The Heart Of The Sea'
Inspired by Turner and Delacroix, cinematographer Anthony Dod Mantle tells Mark Salisbury how intensity was key for In The Heart Of The Sea.
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Features
The VFX of 'Ex Machina'
In a year of stunning visual-effects work, Ex Machina’s bewitching robot stands out as a peerless use of VFX. Mark Salisbury speaks to the team that created her.
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Features
Emmanuel Lubezki on the gruelling shoot of 'The Revenant'
Cinematographer Emmanuel Lubezki talks to Mark Salisbury about the gruelling shoot in ice and snow that ensured The Revenant became a wholly immersive viewing experience
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Features
Charlotte Rampling and Tom Courtenay talk '45 Years'
Charlotte Rampling and Tom Courtenay speak to Elbert Wyche about portraying a married couple shocked from their quietude by a ghost from the past, in Andrew Haigh’s 45 Years