All Features articles – Page 273
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FeaturesScreen January 19 2016
Browse the digital edition of Screen International here, including a look at the international box office hits of 2015, the nominations for the Oscars and Baftas, the making of The Revenant and the Sundance Film Festival.
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FeaturesSundance: the year starts here
The Sundance Film Festival (Jan 21-31) is embracing virtual reality, web and TV series, and world cinema to offer a characteristically eclectic selection of films.
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FeaturesRotterdam: the new-look festival
Ahead of this month’s International Film Festival Rotterdam (Jan 27-Feb 7), new artistic director Bero Beyer talks about the radical changes he has introduced.
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Features'The Revenant' producer Mary Parent on the biggest challenge of her career
After the Golden Globes, Bafta and Oscar nominations, The Revenant has become this awards season’s front-runner. Jeremy Kay talks to producer Mary Parent about bringing the most challenging project of her career to fruition
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FeaturesSundance 2016: World Cinema film profiles
An Indian teen comedy, a New Zealand doc about tickling and a musical featuring mermaids in 1980s Warsaw are among the films jostling for primacy in Sundance’s World Cinema Dramatic and Documentary competitions.
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FeaturesBox Office 2015: A grand year abroad
SCREEN SUBSCRIBERS: The blockbusters got bigger in 2015 and so did the box office, but how did the top 10 US films perform around the world?
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FeaturesTallinn: 'Erik Stoneheart', Screen Best Pitch winner
Estonia’s Ilmar Raag and Evelin Soosaar-Penttilä of Amrion Ltd. were the recipients of the latest Screen International Best Pitch Award at Tallinn’s Baltic Event for their film project ‘Erik Stoneheart’.
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FeaturesComposers: Johann Johannsson, 'Sicario'
Johann Johannsson’s score for Sicario rumbles and intimidates “like a beast lurching in slow motion”, he tells Tiffany Pritchard, who meets five of the composers in contention this awards season
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FeaturesComposers: Daniel Pemberton, 'Steve Jobs'
Having worked with Ridley Scott, Guy Ritchie and now Danny Boyle on Steve Jobs, Daniel Pemberton is rapidly becoming one of the industry’s most sought-after composers.
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FeaturesComposers: Carter Burwell, 'Carol', 'Anomalisa'
The self-taught composer of Carol and Anomalisa used very different methods to score - and conduct - both films
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FeaturesComposers: Alexandre Desplat, 'The Danish Girl'
The politically engaged composer discusses why he was drawn to Suffragette and The Danish Girl
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FeaturesComposers: Tom Holkenborg (aka Junkie XL), 'Mad Max: Fury Road'
More commonly known as Junkie XL, the Dutch composer turned to religious themes and heavy metal to score Mad Max: Fury Road
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FeaturesQ&A: Evgeny Afineevsky talks 'Winter On Fire'
The director discuss his documentary about the recent Ukrainian Revolution.
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FeaturesQ&A: Liz Garbus on 'What Happened, Miss Simone?'
The director discusses her Nina Simone documentary.
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FeaturesPalm Springs Q&A: Raam Reddy, 'Thithi'
The director discusses his India-US drama, which premired at Locarno in August.
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FeaturesPalm Springs Q&A: Thomas Stuber, 'A Heavy Heart'
The Leipzig-based director tells Jeremy Kay about earning the trust of his star, stage veteran Peter Kurth, who portrays a former East German boxer who receives life-changing news
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FeaturesPalm Springs Q&A: Andrew Steggall, 'Departure'
The director on his coming-of-age love story set in the south of France.
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FeaturesAnthony Dod Mantle talks shooting 'In The Heart Of The Sea'
Inspired by Turner and Delacroix, cinematographer Anthony Dod Mantle tells Mark Salisbury how intensity was key for In The Heart Of The Sea.
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FeaturesThe VFX of 'Ex Machina'
In a year of stunning visual-effects work, Ex Machina’s bewitching robot stands out as a peerless use of VFX. Mark Salisbury speaks to the team that created her.