All Features articles – Page 355
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FeaturesPalm Springs: Special focus
Palm Springs is showcasing 19 features as part of its central and eastern Europe focus. Screen meets the film-makers behind two of the titles.
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FeaturesRuben Ostlund, Force Majeure
Ruben Ostlund, the Swedish director of Force Majeure, tells Tiffany Pritchard about his lengthy casting process, the Titanic myth and his love of YouTube.
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FeaturesJoshua Oppenheimer, The Look Of Silence
Joshua Oppenheimer talks to Wendy Mitchell about changing the culture of fear in Indonesia with The Act Of Killing and its follow-up, The Look Of Silence.
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FeaturesMike Leigh, Mr. Turner
Mike Leigh talks to John Hazelton about raising finance, going digital and the importance of research in creating three-dimensional and historically accurate characters for his latest feature, Mr. Turner.
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FeaturesEmirati film scene gathers steam
The Emirati film scene is celebrating a bumper year but does it have the makings of an industry? Melanie Goodfellow talks to local filmmakers about what is needed to help UAE cinema grow.
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FeaturesDaoud Abdel Sayed, Out Of The Ordinary
Egyptian filmmaker Daoud Abdel Sayed talks to Liz Shackleton about working with child actors and tackling the supernatural in his latest film, Out Of The Ordinary, which is premiering at DIFF.
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FeaturesJan-Willem van Ewijk, Atlantic
Dutch director Jan-Willem van Ewijk explains to Melanie Goodfellow how a passion for windsurfing in Morocco was the inspiration for his film Atlantic.
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FeaturesToni El Massih, VOX Cinemas
Toni El Massih, director of distribution and film content at pan-Arab exhibitor VOX Cinemas, talks to Melanie Goodfellow about programming screens in the region.
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FeaturesRobert Bosch Stiftung builds bridges
Sherif Elbendary’s Dry Hot Summers and Dalia Al-Kury’s Possessed By Djinn are among the projects currently being produced with support from Robert Bosch Stiftung, which aims to build bridges between Germany and the Arab world.
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FeaturesPablo Trapero, El Clan
The Argentine wunderkind behind Carancho, White Elephant and Lion’s Den sat down with Jeremy Kay to discuss his latest film four weeks into production in Buenos Aires.
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FeaturesThe spark of Electricity
Director Bryn Higgins and star Agyness Deyn talk about bringing a unique young woman to life in British drama Electricity.
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FeaturesBikas Mishra, Four Colours
Bikas Ranjan Mishra talks Liz Shackleton through the five-year development and production journey behind his debut feature, Four Colours (Chauranga).
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FeaturesMipo O, The Light Shines Only There
Elbert Wyche talks to O about her fourth feature, a pensive drama about a depressed man played by Go Ayano who is trying to escape his painful past.
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FeaturesPantelis Voulgaris, Little England
The Brides director returns with Greece’s foreign language Oscar submission, the story of two sisters who harbour a terrible secret while spending their lives in love with the same man.
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FeaturesEnjaaz supported films shine at DIFF
A total of 17 films supported by Dubai’s Enjaaz programme are screening at this year’s edition of the festival, including Waleed Al Shehhi’s Dolphins and Mohammed Rashed Buali’s The Sleeping Tree, which are both receiving gala screenings.
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FeaturesHisham Zaman, Letter To The King
Oslo-based Hisham Zaman tells Liz Shackleton how he managed to pull together his second feature, Letter To The King, while developing his debut Before Snowfall, and how he won the Dragon award at Goteborg film festival two years in a row.
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FeaturesGianluca Chakra, Front Row Filmed Entertainment
Middle East distributor Gianluca Chakra talks about the local penchant for action and horror movies and how he is pinning his hopes on iTunes.
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FeaturesPaul Thomas Anderson, Inherent Vice
Inherent Vice director Paul Thomas Anderson talks to Andreas Wiseman about ego, fear and the real Joaquin Phoenix.
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FeaturesAndré Singer, Night Will Fall
André Singer talks to Melanie Goodfellow about his powerful Holocaust documentary, Night Will Fall, which has a groundbreaking broadcast launch on January 27.
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FeaturesBennett Miller & Jon Kilik, Foxcatcher
Director Bennett Miller and producer Jon Kilik reveal why Foxcatcher - their murderous story of class, power and brotherly love - was so many years in the making. Jeremy Kay reports.