All Features articles – Page 391
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FeaturesPhil Oatley, Park Road Post Production
Park Road’s head of tecnhology Phil Oatley talks about how 3D is evolving and the intricacies of the stereoscopic post process.
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FeaturesFuture Leaders 2012 Cannes reunion
A group of Screen’s 2012 Future Leaders of Sales and Acquisitions had an informal reunion in Cannes at Canvas on the beach.
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FeaturesJustin Edgar and Alex Usborne, 104 Films
As 104 Films prepares to screen two films at Edinburgh, Sarah Cooper speaks to founders Justin Edgar and Alex Usborne about giving disabled and disadvantaged talent opportunities in the industry.
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FeaturesStudios: the UK's capacity crunch
With a host of big budget films gearing up to shoot in the UK this summer, the country’s studios are busier than ever. But with the new TV tax credit threatening to bring in even more business, Geoffrey Macnab asks whether the UK has the capacity to cope.
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FeaturesQ&A: Vermont College Of Fine Arts
Earlier this year the Vermont College Of Fine Arts announced the appointment of a host of new faculty members to its new Masters In Film programme. The inaugural class at the school’s Montpelier campus will take place this autumn. Tyler Pukatch pays attention.
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FeaturesZiad Doueiri, The Attack
Ziad Doueiri’s The Attack, a drama about a Palestinian surgeon in Israel who discovers secrets about his wife in the wake of a suicide bombing, impressed the critics when it launched in Telluride and Toronto last year.
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FeaturesTransilvania International Film Festival
Photos from the 12th Transilvania International Film Festival (TIFF) , which ran from May 31 to June 9.
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FeaturesHeather Croall, Sheffield Doc/Fest
The 20th Sheffield Doc/Fest promises to be one of its biggest and most “mind-blowing” to date, festival director Heather Croall tells Michael Rosser.
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FeaturesJoss Whedon, Much Ado About Nothing
Ian Sandwell talks to Joss Whedon about his adaptation of the Shakespeare classic Much Ado About Nothing.
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FeaturesBelgium: Fighting fit
Belgium is increasingly prominent on the world stage as a source of hot films and talent that can travel. Geoffrey Macnab explores the rise of a territory with big potential
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FeaturesBelgium: In the money
Belgium’s Tax Shelter is vital to production in the territory. So why are some in the industry calling for it to be revised? By Geoffrey Macnab
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FeaturesBelgium: The rising tide
From Marion Cotillard uniting with the Dardenne brothers to the latest from rising new directors, Geoffrey Macnab explores the hottest new Belgian films in the works
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FeaturesMandy Jacobson, Plot for Peace
Mandy Jacobson talks about her South African documentary Plot for Peace.
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FeaturesDamian Lewis: from Homeland to Highlands
Damian Lewis took a break from Homeland to come to Cannes to promote The Silent Storm, in which he will star opposite Andrea Riseborough.
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FeaturesMikkel Norgaard, The Keeper Of Lost Causes
A new Scandinavian thriller franchise kicks off with The Keeper Of Lost Causes. Wendy Mitchell talks to the director, Mikkel Norgaard, about bringing a cinematic feel and dark humour to the project to move away from the region’s TV hits
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FeaturesExclusive Media: scaring up business
Exclusive Media has made an impressive mark on the industry with such diverse titles as The Woman In Black and End Of Watch. Jeremy Kay talks to the company’s leaders about its evolving business.
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FeaturesGulf's growth pattern
Gulf Film, the Middle East’s leading distributor and exhibitor, has even more growth plans for the near future. Wendy Mitchell talks to its CEO, Selim El Azar, and Jaber Al Ansari of new parent company q.media.
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FeaturesFilmNation: state of the nation
Guided by Glen Basner, FilmNation has effortlessly mixed critical acclaim with commercial success. Jeremy Kay talks to Basner as the company celebrates its fifth anniversary.
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FeaturesGabriel Arcand, Le Démantlement
Melanie Goodfellow talks to Gabriel Arcand about his role in Sébastien Pilote’s Le Démantlement.
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FeaturesRuairi Robinson, The Last Days On Mars
Irish film-maker Ruairi Robinson talks to Leon Forde about his feature debut The Last Days On Mars, which screened in Cannes’ Directors Fortnight section.