All Features articles – Page 424
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FeaturesBombay Beach UK premiere
Dogwoof hosts event at the oldest surviving music hall in the world.
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FeaturesMaja Milos
28-year-old Serbian writer-director Maja Milos’ debut feature Clip (Klip) has been the talk of Rotterdam. It was a polarising film drawing some praise and some outrage. “At least nobody is indifferent to the film,” Milos says.The story follows a young teenage girl who has a frustrating home life and turns ...
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FeaturesTarget audience
The viewing habits of UK film-goers go under the microscope in extensive new research carried out by Film3Sixty - with surprising findings about piracy, social media and theatrical windows.
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FeaturesThe stage is set
EXCLUSIVE: Warner Bros Studios Leavesden is set to become both a major production centre and a huge tourist attraction when it opens for business this year. Screen editor Mike Goodridge took an exclusive tour of the site and spoke to studio managing director Dan Dark and Warner Bros UK chief ...
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FeaturesPeter von Bagh
The Finnish director talks about his Rotterdam retrospective, the privilege of bringing great directors to the Midnight Sun Film Festival, and how very local films can be universal.
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FeaturesComing up shorts
The shortlists for the live-action and animated shorts categories at the Oscars include a diverse mix of styles and subject matters from around the world. Laurence Boyce previews the titles in the running for the final nominations
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FeaturesThe UK's high five
Buoyed by local hits, the UK box office rose 5% last year. Andreas Wiseman analyses the numbers.
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FeaturesShort attention
Screen profiles the final nominees for the live-action short and animated short Oscars.
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FeaturesWelcome To The Punch
How did the UK film-makers behind Welcome To The Punch attract an A-list cast, top financiers and Ridley Scott?
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FeaturesWoody Harrelson
Woody Harrelson tells Jeremy Kay how he prepared to play the policeman at the centre of Rampart.
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FeaturesBFI/British Film Commission celebrate UK films at Sundance
On Monday in Park City, the BFI joined the British Film Commission and the British Consulate-General Los Angeles to host a reception for UK film talent and international industry figures at Sundance.
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FeaturesThomas McCarthy
Thomas McCarthy tells Jeremy Kay about using wrestling to explore middle-class life in Win Win.
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FeaturesBart Layton and Dimitri Doganis, The Imposter
Ahead of their Sundance world premiere, the UK director and producer talk about the elusive truth in their film about a Frenchman who impersonated a missing Texas teenager.
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FeaturesLaura Bickford and Nicholas Jarecki, Arbitrage
Producer Laura Bickford and writer-director Nicholas Jarecki talk to Jeremy Kay about making $15m suspense drama Arbitrage, starring Richard Gere, which is generating buzz at Sundance.
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FeaturesSecret Cinema presents The Third Man
Secret Cinema has concluded its longest run to date — nearly six weeks (Dec 7-Jan 22) — so it’s now safe that the secret is out. The event cinema specialist’s latest offering was Carol Reed’s classic The Third Man, which attrracted nearly 19,000 attendees to the transformed area in the ...
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FeaturesGrégory Bernard, producer of Wrong
Grégory Bernard, the Paris-based producer of Quentin Dupieux’s Sundance contender Wrong, tells Screen about their new brand of English-language, French-style cinema.
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FeaturesRotterdam 2012 special
Screen presents our guide to Rotterdam 2012, including an interview with festival director Rutger Wolfson; profiles of the Tiger competitors and other hot world premieres across all IFFR sections; a CineMart preview with profiles of the hottest projects; and the latest from the Hubert Bals Fund.
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FeaturesPeter Baxter, Slamdance
The Slamdance festival director and co-founder talks about hot titles at the 2012 festival and the event’s growing digital presence year-round.
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FeaturesMr Morgan's Last Love
The German and French producers of Sandra Nettelbeck’s English-language Mr Morgan’s Last Love tell Melanie Goodfellow how they put together the complex pan-European project.
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FeaturesHarry Gregson-Williams
Harry Gregson-Williams talks to Ian Sandwell about composing the score for Arthur Christmas.