All Features articles – Page 76
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FeaturesScreen critics’ top documentaries of 2022
Five of Screen’s expert critics select their favourite documentaries from 2022.
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FeaturesHow ‘The Fabelmans’ team brought Steven Spielberg’s childhood to screen
The Fabelmans is Steven Spielberg’s most personal film to date. Screen talks to two key collaborators — screenwriter Tony Kushner and producer Kristie Macosko Krieger.
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FeaturesSearchlight execs talk box office success of ‘The Menu’
Satire is studio’s highest grossing North American release since The Shape Of Water in 2017.
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FeaturesNew talent focus: ‘Behind The Haystacks’ filmmaker Asimina Proedrou on giving up her parallel career in mining
Behind The Haystacks is making waves on the festival circuit, winning awards from Thessaloniki to Goa.
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FeaturesRon Howard on directing rescue drama ‘Thirteen Lives’: “The degree of difficulty was higher than I expected”
The veteran filmmaker drew on experiences making documentaries to tell the dramatic true story
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FeaturesIn conversation: Sebastian Lelio and Florence Pugh on making ‘The Wonder’ and their “fantastic friendship”
The duo discuss the power of storytelling, gender-neutral awards and Ireland’s unpredictable weather.
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Features‘My Father’s Dragon’ filmmakers talk teaming with Netflix, lockdown pros and cons
Cartoon Saloon’s latest feature could bring the company a fifth Oscar nomination. My Father’s Dragon director Nora Twomey and producer Paul Young tell Nicholas Barber about the journey to bring the quest tale to life.
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FeaturesScreen critics’ top films of 2022
Screen’s critics have selected their top films of 2022, plus the best documentaries and standout performances.
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FeaturesMy Screen Life: Passion Pictures’ Lizzie Gillett on cold-water swimming, the industry’s class problem
Lizzie Gillett is the UK-based director of Passion Pictures’ feature division.
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FeaturesPaul Dano on moving into the next phase of his career in ‘The Fabelmans’
Dano takes on a role inspired by Steven Spielberg’s father in the veteran filmmaker’s semi autobiographical drama.
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Features“Bafta View is great this year”: Anonymous awards voters talk early favourites and how they are watching them
The first in the 2022-23 series of Screen’s Awards Whispers.
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Features“I wanted a sense of faded grandeur”: ‘Empire Of Light’ team on creating the film’s look
Sam Mendes drew on his own life experiences to create Empire Of Light — set in the early 1980s on the south coast of England. Screen talks to the filmmaker and key design department heads.
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FeaturesFive years of #MeToo: What has changed in the UK?
Key UK figures including Maya Amsellem, Mia Bays, Aisha Bywaters, Sarah Brocklehurst, Sadie Frost, Jen Smith and Eva Yates discuss the progress and pitfalls.
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FeaturesCharlotte Wells on casting Paul Mescal in ‘Aftersun’: “It was nice to play with an audience’s expectation of him”
Writer/director Charlotte Wells and lead producers Adele Romanski and Amy Jackson tell Screen about the film’s remarkable journey.
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FeaturesWhy Brian Tyree Henry signed up for ‘Causeway’ without reading the script: “I didn’t really care what my part was”
‘Causeway’ actor Brian Tyree Henry discusses working with director Lila Neugebauer and co-star Jennifer Lawrence.
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FeaturesFilms of the year 2022: Fionnuala Halligan
Fionnuala Halligan is Screen’ s executive editor for reviews and new talent.
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FeaturesFilms of the year 2022: Allan Hunter
Allan Hunter has worked for Screen since 1990. He is based in Edinburgh and is co-director of Glasgow Film Festival.
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FeaturesFilms of the year 2022: Tim Grierson
Tim Grierson is Screen’s senior US critic, based in Los Angeles, he has written for the publication since 2005.
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FeaturesFilms of the year 2022: Wendy Ide
Wendy Ide joined Screen in 2015 as a UK-based critic, and also writes for The Observer and Sight & Sound.
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FeaturesFilms of the year 2022: Jonathan Romney
A longtime contributor to Screen, Jonathan Romney also writes for Film Comment, Sight & Sound and The Observer, and teaches at the UK’s National Film and Television School.