My Screen Life: Korean exec Paul D Kim talks industry challenges and Sean Baker ambitions
The founder and CEO of Hive Filmworks on the challenges facing the Korean film industry, the conservative mindset of investors, and the project he would pitch to Sean Baker
Yosep Anggi Noen talks Busan political drama ’The Sea Speaks His Name’
The Indonesian filmmaker talks about making his latest film accessible to the mainstream, his friendship with star Rahadian and becoming an Asian Film Academy mentor.
My Screen Life: Hong Kong industry veteran Fred Tsui on 'Infernal Affairs' battles and the future of the business
The executive director of Hong Kong International Film Festival Society on legendary producer Nansun Shi, the gamechanging Infernal Affairs and the future of the business.
July Jung on the challenges of making ‘Dora’ and taking the film from Cannes to Busan
The South Korean filmmaker revealed the inspirations behind her third feature.
Spanish producers weigh up benefits and challenges of co-producing with “thriving” Brazil
“The films of Kleber Mendonça Filho and Walter Salles have brought enormous visibility through the Oscars.”
Brazilian DP Adolpho Veloso talks Berlin prize winner ‘Queen At Sea’, Jess Kohl, M Night Shyamalan projects
Trailblazer was first from his country to earn cinematography Oscar nomination for Train Dreams.
How the ‘Masc’ team championed a kinder, neurodivergent-friendly production process
Bertil Nilsson’s feature debut plays at BFI London Film Festival after a Toronto world premiere.
Mirage’s Elisa Heene on developing Fien Troch’s film about ‘a shameful episode in Belgium’s past’
L’Invention Du Sauvage is about how Congolese people were paraded as human exhibits at the 1897 World Fair in Brussels.
Rising Belgian producer Roxanne Sarkozi talks ‘Jonah Was Here’, ambitious De Wereldvrede slate
“I live from deadline to deadline,” says the busy Sarkozi.
How black humour is powering the follow-up doc to ‘Myanmar Diaries’
What Happened To My Country, What Happened To Me is by the underground filmmaking organisation Myanmar Film Collective.
“Europe lacks platforms offering a curated selection of Latin American works,” say Iberseries & Platino Industria heads
Co-directors Juan Alía and Samuel Castro are working to forge far more European-LatAm collaborations.
Festival do Rio head Ilda Santiago on how Brazilian cinema’s elite profile is fuelling growth
The festival runs October 1-11 and will open with Cannes award-winner ‘La Bola Negra’.
How NLWave is at the heart of Dutch efforts to get local films in front of audiences
“The bar is set high for standing out,” says Iwana Chronis, CEO of the Netherlands Film Fund.
