All Festivals articles – Page 309
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News
Sony Pictures Classics acquires Sundance entry 'Jockey'
Films Boutique handled international sales.
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Reviews
‘Passing’: Sundance Review
Rebecca Hall impresses with her directorial debut, set in 1929 Harlem
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Reviews
‘Prime Time’: Sundance Review
A tense stand-off in a Warsaw TV studio heralds a new milennium in Jakub Piatek’s debut feature
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News
Apple buys ‘CODA’ in Sundance record $25m worldwide deal
Attention turns to buyer interest in Summer Of Soul. Upcoming Saturday screenings include Eight For Silver, Passing, Wild Indian.
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Features
Rebecca Hall on her Sundance directing debut ‘Passing’: “Identity is hopelessly complex”
”I know that this film was something that I had to do.”
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Reviews
‘Knocking’: Sundance Review
A former psychiatric patient is tormented by noises in the night in a sharp debut from Sweden
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Reviews
‘In The Earth’: Sundance Review
Ben Wheatley returns to (his) nature with a pandemic sci-fi scarer starring Joel Fry
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News
Neon picks up Sundance entry ‘Flee’
Anticipated Friday premieres include John And The Hole, On The Count of Three, Luzzu, How It Ends.
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Reviews
‘The Pink Cloud’: Sundance Review
An uncannily prescient drama from Brazil marks a powerful debut from Iuli Gerbase
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Reviews
‘The Most Beautiful Boy In The World’: Sundance Review
Fifty years later, Bjorn Andresen looks back at his life, and ‘Death In Venice’
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Reviews
‘Rita Moreno: Just A Girl Who Decided To Go For It’: Sundance Review
The star of ’West Side Story’ looks back on 70 years of defying the odds and the naysayers
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Reviews
‘Cryptozoo’: Sundance Reviews
A sweet trip from the makers of ’My Entire High School Sinking Into The Sea’
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Reviews
‘President’: Sundance Review
A remarkable story of bravery and determination against daunting odds in Zimbabwe’s first “free and fair” elections
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Reviews
‘Human Factors’: Sundance Review
Ronny Trocker’s cat-and-mouse game with the viewer strays into Haneke territory
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Features
Pascual Sisto on Sundance entry ‘John And The Hole’: “Cannes Label… shone a light on the film”
Spanish filmmaker adopted ”realistic, contemporary take on a fable”.