All articles by Geoffrey Macnab – Page 58
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What are the pros and cons of using Big Data in the film and TV business?
Amazon Studios and Netflix approaches cited in presentation.
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Euro soft money easier to access than US incentives, financing agents tell Zurich Summit
Los Angeles-set productions ‘total lottery system’, agent says.
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Patrick Wachsberger predicts 'new generation' of Chinese distributors
’ Summit Entertainment founder and indie pioneer reaffirms commitment to theatrical releasing.
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Mars Media sells key European territories on Russian war epic 'T-34' (exclusive)
The $10m project was screened as a work-in-progress at Toronto.
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New Wave Films buys UK rights to 'Ray & Liz' (exclusive)
Richard Billingham’s debut feature premiered at Locarno.
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Features
Stephen Woolley on historic venue the Scala: "It was a cinema with a lot of tribes"
A new book celebrates the late, lamented London cinema beloved by a generation that included Christopher Nolan, Viv Albertine and Ben Wheatley.
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Can the BFI-backed plan to boost UK indie film make a real difference?
The BFI’s Independent Film Commission finally delivered its report into the UK indie sector.
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Tang Media board 'This Crazy Heart' for China (exclusive)
Film directed by Marc Rothemund posted over 2 million admissions in Germany.
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Jennifer Kent plots next projects after Venice win for 'The Nightingale'
Australian director working on a US-set feature and TV series.
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How the A-list festivals are adapting to big changes
After a turbulent year for Cannes and Berlin, Screen analyses the festival landscape.
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Odin's Eye closes UK deal for 'Brother's Nest' (exclusive)
Signature Entertainment boards dark comedy.
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'American Psycho' director Mary Harron updates on new project 'Orange Eat Creeps'
Harron’s latest, Charlie Says, was unveiled in Venice last week.
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Venice doc 'Why Are We Creative?' scores early deals (exclusive)
Film sells to UK, Japan, Italy.
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Features
The resurrection of Orson Welles' 'The Other Side Of The Wind'
The film started shooting in 1970, and had its premiere at Venice Film Festival yesterday (Aug 31).
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Venice Q&A: 'Son Of Saul' director László Nemes on his new historical drama 'Sunset'
Nemes won the best foreign language film Oscar in 2016.
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Mike Leigh on 'Peterloo', working with Amazon and the north-south divide
Leigh’s film has its world premiere in Competition at Venice Film Festival.
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Venice director Alberto Barbera: festival has 'once in a decade' line-up
Cannes Film Festival may not have had a vintage 2018, but its loss may be Venice’s gain.
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Oscar changes: UK distributors express deep concerns
Oscars’ shift forward could create over-crowded Christmas market.
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What can other festivals learn from Sarajevo?
Artistic director and co-founder Mirsad Purivatra talks through the history of the Bosnian event.
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Nelleke Driessen's Nine Film boards buzzy Dutch film 'Mi Vida' (exclusive)
Nine Film is run by former Fortissimo executive Nelleke Driessen.