All Interview articles
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FeaturesDublin film festival head Grainne Humphreys on showcasing world cinema – and celebrating ‘Gilmore Girls’
DIFF runs from February 20-March 2.
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NewsVibeke Løkkeberg explains why her feminist doc is screening in Berlin 50 years late
The Norwegian director is in Berlin with Forum feature documentary The Long Road To The Director’s Chair.
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NewsStudiocanal-backed action thriller ‘Coka Chica’ leads elevated genre slate of French outfit Bien ou Bien (exclusive)
Screen reveals a first-look picture of Roxine Helberg’s Dominican Republic-set film.
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FeaturesThe Centrepiece interview: Tricia Tuttle says the Berlinale has a “massive role” in helping the industry to thrive
Ahead of her first edition, Tuttle has refashioned her team, made bold programming decisions, built new venues and taken a stand for free speech.
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NewsMichiel ten Horn on his Rotterdam opener ‘Fabula’: “It’s between comedy, crime and fantasy”
Film centres on a small-time petty crook played by Fedja van Huêt, star of Oscar winning ’Dutch movie Character’.
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NewsRotterdam’s Vanja Kaludjercic, Clare Stewart talk festival highlights and funding challenges
2025 edition presents filmmakers, themes and topics “that you do not often get a chance to see.”
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Features“The future is about multi-territory rights”: Curzon’s Philip Knatchbull reveals his priorities
Knatchbull has returned to Curzon following its acquisition by US investment group Fortress.
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FeaturesRussian star Yura Borisov on becoming the ‘Anora’ henchman and stepping into Hollywood
In Sean Baker’s Anora, henchman Igor steals up quietly on the film, revealing his hidden layers. Actor Yura Borisov talks about exploring the character’s soul.
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FeaturesNew Talent: ‘Vittoria’ filmmakers Alessandro Cassigoli and Casey Kauffman enjoy weaving fact with fiction
Venice Horizon’s title ‘Vittoria’ has proved the perfect calling card for what the Italy-US directing duo want to do.
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Features‘Superboys Of Malegaon’ filmmakers: “We felt it had an opportunity outside of India”
”The material lends itself to a global audience,” says director Reema Kagti.
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FeaturesDaniel Craig talks ‘Queer’ role: “It wouldn’t have worked when I was doing Bond”
Queer’ is only the second movie Daniel Craig has made since his final appearance as James Bond in 2021’s ’No Time To Die’.
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Features“I like a challenge”: director Karim Elshenawy on telling ’The Tale Of Daye’s Family’
The inspirations behind family drama ’The Tale Of Daye’s Family’, which opens the 2024 Red Sea International Film Festival.
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Features“Tolerance and ambition”: Red Sea film programmers reveal goals for the festival
Red Sea programmers programmers Antoine Khalife and Kaleem Aftab discuss how they are growing the festival to become a major international platform.
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FeaturesArab studio MAD Solutions looks back on 15 years of growth and readies its next chapter
After 15 years in business, Arab entertainment studio MAD Solutions is entering its next phase.
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FeaturesAamir Khan talks India’s Oscar selection of ‘Lost Ladies’ and how he nearly starred in the film
The Bollywood actor and producer is on the awards campaign for the feature directed by Kiran Rao.
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FeaturesBabatunde Apalowo wrestled with writer’s block to create second feature ‘In The Shadows Of Good Fortune’
Apalowo is presenting ‘The Shadow Of Good Fortune’ at Marrakech’s prestigious Atlas Workshops.
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FeaturesHow Cherien Dabis moved ‘All That’s Left Of You’ from Palestine to Cyprus and Greece to avoid the war
“It’s unheard of to have to re-prep a movie as many times as we had to on this one,” says the Palestine-US filmmaker.
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Features“It’s humour that will save us,” says ‘Bye Bye Tiberias’ director Lina Soualem as she prepares first fiction feature
‘Alicante’ is about a woman’s relationship with her Algerian parents who have moved to Spain to open a restaurant.
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Features‘Kneecap’ filmmakers on navigating Northern Ireland’s politics and bringing bigger budget films to Belfast
Rich Peppiatt’s film won audience awards at Sundance and Galway and is being released next month in UK-Ireland.
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NewsRussian director on ‘Deaf Lovers’ PÖFF controversy: “Censorship is the biggest threat to art in our world”
‘Deaf Lovers’ was removed from Tallinn’s ‘Standing With Ukraine’ programme but kept in the festival.