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All Interview articles – Page 48
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FeaturesBong Joon Ho on his painstaking approach to ‘Parasite’, Oscar hopes
The filmmaker talks to Jean Noh about combining meticulous planning with freedom for actors on set
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FeaturesNoah Baumbach on the intense collaboration with his ‘Marriage Story’ cast: “it’s their movie as much as mine”
Marriage Story emerged from an intense period of creative collaboration between Noah Baumbach and his cast and crew.
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Features‘Avengers: Endgame’ writers talk killing off major characters, taking inspiration from 'Game Of Thrones'
Christopher Markus and Stephen McFeely tell Michael Rosser why it was the emotions, not the punches, that really landed
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FeaturesHow Marielle Heller shunned the biopic path for ‘A Beautiful Day In The Neighborhood’
In the awards fray again this year, Heller tells Screen how she won over Tom Hanks.
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FeaturesThe Safdie brothers on the 10-year journey behind ‘Uncut Gems’: “It was a step up”
Uncut Gems may be substantially the biggest-scale film the Safdies have ever made, but the shoot remained true to the creative spirit of their indie roots.
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FeaturesCharlize Theron on her “quintessential actor insecurity” over playing Megyn Kelly in ‘Bombshell’
In Bombshell, Charlize Theron initially resisted the role of network star Megyn Kelly.
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Features‘How To Train Your Dragon: The Hidden World’: filmmakers on the series' emotional final chapter
Michael Rosser talks to the filmmakers about the journey of Hiccup and Toothless.
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FeaturesScott Z Burns talks returning to directing with ‘The Report’, working on ‘No Time To Die’
Scott Z Burns makes complicated true events coherent to audiences. He tells Jeremy Kay about the power of facts.
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FeaturesHow writing ‘The Two Popes’ led Anthony McCarten to rethink Francis and Benedict
Catholic-raised Anthony McCarten tells Ben Dalton how the process led him to reassess popes Francis and Benedict XVI
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FeaturesTrey Edward Shults on the varied responses to ‘Waves’: "I hope it feels nuanced"
Trey Edward Shults’ Waves is aptly named, provoking a range of reactions thanks to its combination of subject matter and race.
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FeaturesTaika Waititi on the eight-year journey behind awards contender ’Jojo Rabbit’
Waititi wrote a spec script for the film back in 2011.
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FeaturesThe inside story of how Dexter Fletcher made ‘Rocketman’
Taking over the shooting of Bohemian Rhapsody was a walk in the park compared with the complexity of Rocketman, Fletcher tells Screen.
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FeaturesLulu Wang on the real-life story behind 'The Farewell'
The filmmaker talks to Wendy Mitchell about going back to her Chinese roots in her indie comedy-drama The Farewell.
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FeaturesArmando Iannucci on ‘David Copperfield’: “it’s a celebration of what I feel Britain is”
Armando Iannucci’s used an inventive approach to David Copperfield, but in an age of status anxiety the book’s key theme needed no updating.
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FeaturesHow cutting the budget helped James Mangold get ‘Ford V Ferrari’ over the line
The racing drama’s journey to the screen involved a decade of stops and starts, director James Mangold tells Mark Salisbury.
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FeaturesRian Johnson compares working on 'Knives Out' to 'Star Wars': "it's still the same essential process"
Johnson’s whodunnit stars Daniel Craig as a private investigator.
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FeaturesMaking 'A Shaun The Sheep Movie: Farmageddon’: "we could parody lots of sci-fi tropes"
Aardman’s second feature-length Shaun The Sheep movie gambols into the sci-fi realm.
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FeaturesRobert Eggers on why his actors endured “physical misery” whilst making ‘The Lighthouse’
Writer/director Robert Eggers tells Demetrios Matheou about conjuring up the intense atmosphere of The Lighthouse.
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Features‘The Cave’ director: “For a woman to be filmed is dangerous”
In an underground hospital in a besieged Syrian city, Dr Amani saved lives while battling prejudice and patriarchy.
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FeaturesAwkwafina on finding authenticity in ‘The Farewell’: “Speaking bad Chinese is more interesting”
The ‘Crazy Rich Asians’ actress plays Billi, a Chinese American who returns to China to see her terminally-ill grandmother.