![The Brightest SunScreen[Courtesy HKIFF]](https://d1nslcd7m2225b.cloudfront.net/Pictures/274x183/3/5/0/1448350_thebrightestsunscreencourtesyhkiff_312678.jpg)
All Interview articles – Page 50
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Features“They laughed at me because I loved ‘Pretty Woman’: ‘Parasite’ producer Kwak Sin Ae on her early film loves
Screen Life: The producer of ‘Parasite’ talks about her life in the film industry.
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FeaturesAndrei Konchalovsky talks Tarkovsky, Stallone and his famous filmmaking family
The Russian director was in Tallin to receive the Lifetime Achievement award at the Black Nights Film Festival.
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NewsDutch director of Microwave project ‘Looted’ talks stolen cars and Tallinn premiere
Rene van Pannevis on his UK drama starring Charley Palmer Rothwell and Morgane Polanski.
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FeaturesThe Centrepiece interview: Cairo chief Mohamed Hefzy talks indie cinema, upcoming projects
Egyptian producer and Cairo International Film Festival director Mohamed Hefzy tells Screen about his journey from metallurgical engineer undergraduate in London to A-list festival habitué.
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FeaturesOscar committee co-chairs explain the international category name change
Larry Karaszewski and Diane Weyermann are in their second year at the helm.
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NewsCamerimage director Marek Zidowicz on returning to Torun and the future of the festival
The festival says is has secured $160m in state and regional support.
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FeaturesCsaba Kael, the new Hungarian Film Commissioner, on taking over from Andy Vajna
Kael confirms Agnes Havas has stepped down as Hungarian Film Fund CEO.
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FeaturesMy Screen Life: Alexander Rodnyansky, producer
Leading Russian independent producer discusses his morning routine, professional mistakes, and love for David Fincher.
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FeaturesAFM Q&A: See-Saw Films’ Simon Gillis on why star-led projects are still key
Simon Gillis, COO at See-Saw Films, on working with Netflix and the star system is alive and well.
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FeaturesAFM 2019 Q&A: Saban Films’ Bill Bromiley on why “distribution-agnostic approach” works today
”Our business model relies on revenues outside of the traditional theatrical model.”
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FeaturesAFM 2019 Q&A: Bleiberg Entertainment’s Nick Donnermeyer on why “it’s not just about that first sale”
Executive talks markets, strategy shifts, production mandate.
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FeaturesMy Screen Life: Susan Wendt, sales agent
The sales agent supremo talks about an office in the red-light district, her top TV recommendation and what Quentin Tarantino would bring to a biopic of her life.
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FeaturesBeta Film's Jan Mojto on building a European studio and staying loyal to filmmakers
Screen meets the producer and CEO of Munich-based Beta Film on the set of TV series The Turncoat.
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FeaturesHow Tom Harper ensured the $40m 'The Aeronauts' took flight with Amazon Studios
’The Aeronauts’ receives its UK premiere at the BFI London Film Festival on October 7.
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![[CF] Moonlit Winter 윤희에게 감독 LIM Daehyung 임대형](https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/2/0/2/1311202_cfmoonlitwinterlimdaehyung_854703.jpg)
FeaturesBusan Q&A: Lim Daehyung, director of closing-night film ‘Moonlit Winter’
The Korean director’s drama has its world premiere in Busan
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FeaturesDebut director Arden Rod Condez on cyberbullying tale ‘John Denver Trending’
The Filipino TV writer-turned-director Arden Rod Condez’s film will screen Busan’s New Currents section
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FeaturesYonfan discusses Venice award-winning animation ‘No.7 Cherry Lane’
The Hong Kong filmmaker also criticised the protests going on in his city
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FeaturesBusan shines spotlight on three Asian women filmmakers who redefined their times
Special programme ‘Gaze and Memories - Asia’s Leading Women Filmmakers’ is screening works from Yasmin Ahmad, Deepa Mehta and Trinh T Minh-ha.
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FeaturesTaiwanese filmmaker Lau Kek Huat on his feature debut ‘Boluomi’
Playing in Busan’s New Currents, the film delves into a sensitive period in Malaysian history
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![[GP] Coming Home Again 커밍 홈 어게인 감독 Wayne WANG 웨인 왕](https://d1nslcd7m2225b.cloudfront.net/Pictures/100x67/1/7/2/1311172_gpcominghomeagainwaynewang_611344.jpg)
FeaturesBusan Q&A: Wayne Wang on ‘Coming Home Again’
Ahead of the Asian premiere in Busan, Hong Kong-born San Francisco resident and filmmaker Wayne Wang discusses his latest, low-budget film.