All Interview articles – Page 93
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Features
Mark Titus, The Breach
In The Breach, Mark Titus examines depleted salmon populations in the Pacific Northwest and what is happening to reverse their decline.
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Features
Robert Elswit, Nightcrawler
Cinematographer Robert Elswit talks to Elbert Wyche about the challenges of shooting dozens of late-night locations for Dan Gilroy’s Nightcrawler.
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Features
Alexandre Desplat, The Imitation Game
Composer Alexandre Desplat tells Tiffany Pritchard about bringing Alan Turing’s frenetic mind to life through his score for The Imitation Game.
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Features
Alejandro G Inarritu, Birdman
The Mexican director of Birdman talks to Jeremy Kay about his tortured creative process and his original vision of a man floating in his underwear.
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Features
Adam Stockhausen, The Grand Budapest Hotel
Production designer Adam Stockhausen tells Andreas Wiseman about the ‘extreme’ move from 12 Years A Slave to The Grand Budapest Hotel and the challenges of capturing Wes Anderson’s unique vision.
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News
Screen Best Pitch winners talk Impaled Rektum
The Screen International Best Pitch Award at Tallinn’s Baltic Event last December went to Finnish producers Kaarle Aho and Kai Nordberg of Making Movies Oy who were pitching Impaled Rektum with the feature debutants Jukka Vidgren and Juuso Laatio [pictured].
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Features
Lucia Recalde Langarica, MEDIA
MEDIA’s new head of unit, Lucia Recalde Langarica, talks to Martin Blaney about how innovation in technology, people and content can be used to realise Europe’s untapped potential
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Features
Jessica Chastain, A Most Violent Year
Jessica Chastain talks to Wendy Mitchell about bringing the wife out from behind the scenes in JC Chandor’s A Most Violent Year.
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Features
Felicity Jones, The Theory of Everything
Felicity Jones tells Wendy Mitchell about her intimidating first experience with Jane Hawking, and meeting carers and families during preparation for The Theory Of Everything
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Features
Julianne Moore, Still Alice
Julianne Moore talks to Jeremy Kay about the research and emotions behind her impressive turn in Still Alice
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Features
JK Simmons: The Whiplash effect
JK Simmons tells Michael Rosser how he brought the brutal teacher in Whiplash to life and how the role may change his career forever.
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Features
David Oyelowo, Selma
David Oyelowo tells Ian Sandwell about how being British helped his portrayal of an icon and the need for it not to be an impersonation.
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Features
Georgia Parris lets sidelined woman have her Moment
London-based short film director has taken an unusual approach to showcasing contemporary dance, including with her latest film A Moment To Move.
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Features
Mike Leigh, Mr. Turner
Mike Leigh talks to John Hazelton about raising finance, going digital and the importance of research in creating three-dimensional and historically accurate characters for his latest feature, Mr. Turner.
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Features
Joshua Oppenheimer, The Look Of Silence
Joshua Oppenheimer talks to Wendy Mitchell about changing the culture of fear in Indonesia with The Act Of Killing and its follow-up, The Look Of Silence.
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Features
Ruben Ostlund, Force Majeure
Ruben Ostlund, the Swedish director of Force Majeure, tells Tiffany Pritchard about his lengthy casting process, the Titanic myth and his love of YouTube.
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Features
Hideaki Anno, Evangelion
Japanese animator and creator of the Evangelion series, Hideaki Anno, talks to Liz Shackleton about the joys of destruction.
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Features
Andy Whittaker & Anna Godas, Dogwoof
UK distributor Dogwoof Films is celebrating a decade of championing its socially conscious films across multiple platforms. Company founders Andy Whittaker and Anna Godas tell Geoffrey Macnab about their vision.
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Features
Alicia Vikander, Testament Of Youth
Alicia Vikander tells Wendy Mitchell about doing Vera Brittain justice in Testament Of Youth and finding roles of emotional substance.
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Features
Daoud Abdel Sayed, Out Of The Ordinary
Egyptian filmmaker Daoud Abdel Sayed talks to Liz Shackleton about working with child actors and tackling the supernatural in his latest film, Out Of The Ordinary, which is premiering at DIFF.