All articles by Jonathan Romney – Page 4
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Reviews
‘Back To Black’: Review
Pallid Amy Winehouse biopic is an impressive platform for its star, Marisa Abela
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Reviews
‘Shambhala’: Berlin Review
Seductive Himalayan odyssey follows a pregnant Neplaese woman as she tries to find her husband in Llasa
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Reviews
‘Black Tea’: Berlin Review
An African woman seeks a new life, and new connections, in Guangzhou, China
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Reviews
‘A Traveler’s Needs’: Berlin Review
Isabelle Huppert is an enigmatic Frenchwoman in Korea in her latest collaboration with Hong Sangsoo
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Reviews
‘Langue Etrangere’: Berlin Review
Two penpals from France and Germany navigate an in-person relationship in Claire Berger’s coming-of-age drama
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Reviews
‘The Empire’: Berlin Review
Northern France plays host to an epic battle of good and evil in Bruno Damont’s outre sci-fi
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Reviews
‘Suspended Time’: Berlin Review
Olivier Assayas’s nostalgic, introspective lockdown drama is loosely based on the director’s own life
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Reviews
‘No Other Land’: Berlin Review
A Palestinian-Israeli collective documents how a beleaguered West Bank community is resisting the Israeli army
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Reviews
‘Last Swim’: Berlin Review
Freewheeling London-set debut is a confident opener to Berlin’s Generations sidebar
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Reviews
‘At Averroes & Rosa Parks’: Berlin Review
Nicolas Philibert profiles two Parisian psychiatric units in the second of a planned trilogy following ’On The Adamant’
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Reviews
‘Small Things Like These’: Berlin Review
Cillian Murphy is a quiet man with a conscience in 1980s Ireland in this adaptation of Claire Keegan’s novella
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Reviews
‘Veni Vidi Vici’: Rotterdam Review
Sharp Austrian satire takes careful aim at the lifestyles of the super-rich
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Features
Films of the year 2023: Jonathan Romney
A longtime contributor to Screen, Jonathan Romney also writes for Film Comment, Sight & Sound and The Observer, and teaches at the UK’s National Film and Television School.
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Reviews
‘DEPOT - Reflecting Boijmans’: Review
Rotterdam’s state-of-the-art statement by Sonia Herman Dolz is an irrestible advert for an edifice
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Reviews
‘Stolen’: Mumbai Review
Stolen baby drama from India spins out at a breakneck pace for debut director Karan Tejpal
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Reviews
‘The Red Suitcase’: Mumbai Review
Nepalese debut follows roads less travelled - both visually and in terms of its oblique narrative
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Reviews
‘Starve Acre’: London Review
Matt Smith and Morfydd Clark struggle to deal with tragedy in Daniel Kokatajlo’s 70s-set folk horror
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Reviews
‘Dance First’: San Sebastian Review
Gabriel Byrne is transformed into Samuel Beckett for James Marsh’s stylised look back at the Irish writer’s life
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Reviews
‘Kalak’: San Sebastian Review
A tough story of sexual abuse anchors Isabella Eklöf’s Greenland-set follow-up to ’Holiday’
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Reviews
‘MMXX’: San Sebastian Review
Cristi Puiu’s four-chapter plunge into Romania’s year of Covid-19 is ‘a heavyweight head-scratcher’