All articles by Jonathan Romney – Page 41
-
Reviews
Right Now (A Tout De Suite)
Dir/scr:Benoit Jacquot. France. 2004. 95minsBenoitJacquot's Right Now contains a series of incidents rather than what onemight usually call a story - which hits just the right note for this study of ayoung woman drifting without a compass through a tumultuous period of her life.Based on events that happened to Elisabeth ...
-
Reviews
Our Music (Notre Musique)
Dir/scr: Jean-Luc Godard. France 2004. 80minsA characteristically encyclopaedic disquisition onwords, images and war, the latest essay-fiction from Jean-Luc Godard is notobviously as visually striking as its predecessor, Eloge De l'Amour, andis considerably more dense verbally. But this three-parter shows Godard to beas perplexing and provocative as ever.Undoubtedly it will appeal ...
-
Reviews
Schizo (Shiza)
Dir: Guka OmarovaRuss-Kazahkstan-Fr-Ger. 2004. 90mins.Don't be fooled by themisleading English title, already used by at least two slasher pics. Kazhakfeature Schizo is a terse but gripping, elegantly crafted slice ofrealist drama, with an edge of low-life thriller. Evoking the desperate mood ofsubsistence-level life in the newly-independent Kazhakstan of the early ...
-
Reviews
The Ordeal (Calvaire)
Dir: Fabrice du Welz. Fr-Bel-Lux. 2004. 90mins.Callinga film The Ordeal is surely asking for trouble, and this unforgivingexercise in Belgian Gothic is undeniably a rough ride for the faint of heart.However, anyone receptive to macabre psycho-horror with a distinct streak ofblack humour will find much to relish.Pitchedbetween Euro art-thriller and ...
-
Reviews
Welcome To Switzerland (Bienvenue En Suisse)
Dir/scr:Lea Fazer. Fr-Switz. 2004. 107mins.Awould-be crowd-pleasing comedy, Lea Fazer's one-joke comedy of culturalmisunderstandings squanders a talented cast and quickly wears out its welcome.Ahighly inappropriate selection to open the Un Certain Regard section at Cannesthis year, the film is too broad to appeal on the festival circuit, and is tooculturally specific ...
-
Reviews
After We're Gone (En Attendant Le Deluge)
Dir/scr: Damien Odoul. France. 2004. 80minsCannes simply would not be Cannes without at least onehighly-rated French auteur coming a cropper. This year it was the turn ofDamien Odoul, who made a dazzling debut in 2000 with Le Souffle, adream-like rural coming-of-age drama.Havinglost momentum with his prestigiously cast follow-up L'Errance, Odoul ...
-
Reviews
Clean
Dir/scr: Olivier Assayas.France/Canada 2004. 80 mins.Like his film's heroine,French director Olivier Assayas returns to the straight and narrow in Clean,an emotionally fluent drama that is a world removed from his last film, theexperimental cyber-thriller Demonlover. Another predominantlyEnglish-language venture, Clean sees Assayas working again with Asianstar and ex-wife Maggie Cheung for ...
-
Reviews
House Of Flying Daggers
Dir/scr: ZhangYimou. Chi-HK. 2004. 119minsBeyond a doubt the mostvisually ravishing film on offer at Cannes this year, Zhang Yimou's return tothe sword-fighting genre - following last year's Hero - mixes action,romance and a touch of dance to uneven but often thrilling effect.Acquired by Sony PicturesClassics in the US, the film ...
-
Reviews
The Holy Girl (La Nina Santa)
Dir/scr.Lucrecia Martel Arg-Spain-It. 2004. 106minsThecombination of Catholic anxiety and female sexual awakening is hardly a novelone in auteur cinema, but it receives an idiosyncratically oblique treatment inThe Holy Girl. Director-writer Lucrecia Martel made her name with debut TheSwamp (La Cienaga), which marked her out as a central figure of thenew ...
-
Reviews
The Consequences Of Love (Las Consecuencias Del Amor)
Dir/scr:Paolo Sorrentino, Italy. 2004. 100minsAn ice-coolexistential drama neatly poised on the borderline of thriller territory, PaoloSorrentino's elegant second feature marks the Neapolitan writer-director assomeone who knows just how to impose an individual stamp on idiosyncraticmaterial. A hyper-stylised, often slyly witty portrait of a loner in crisis,the film possibly gestures in ...
-
Reviews
En Route (Unterwegs)
Dir: Jan Kruger. Germany 2004. 80mins.A psychological road movie in which an outsider opens up tensions within a holidaying family, Jan Kruger's low-key but absorbing drama won one of the three Tiger Awards at this year's Rotterdam Film Festival. It should bring further plaudits to the young German director, whose ...
-
Reviews
Peep 'TV' Show
Dir: Yutaka Tsuchiya. Japan 2004. 98mins.A portrait of alienated cyber-youth, Peep 'TV' Show is so much of the moment - so hyperbolically trendy, even - that it risks becoming dated overnight. But as a fiction with a quasi-documentary flavour, Yukata Tsuchiya's panorama of a voyeuristic technological culture makes for revealing ...
-
Reviews
War (Vojna)
Dir: Jake Mahaffy. USA 2004. 84 mins.Virtually a one-man labour of love, Jake Mahaffy's War is one of those works that French critics sometimes term a 'UFO' - a film that comes out of nowhere, or comes direct and unmediated from its director's unconscious. Working over four years without no ...
-
Reviews
Asshak, Tales From The Sahara (Asshak, Geschichte Aus Der Sahara)
Dir: Ulrike Koch. Switzerland/Germany/Netherlands 2004. 110mins.Effectively an ethnographic documentary reinforced with a slender strand of narrative, Asshak is a generally engrossing portrait of the customs and beliefs of the Tuareg nomads of the Sahara. Given the current favour for films with an ethnographic and environmental slant, notably The Story Of ...
-
Reviews
Aaltra
Directors: Benoit Delepine, Gustave Kervern. Belgium. 2004. 90 mins.Tell people that a festival's hot ticket is a black-and-white Belgian road comedy, and you're liable to be greeted with scepticism, especially when the protagonists are two middle-aged men in wheelchairs. Nevertheless, Aaltra is this year's surprise delight at Rotterdam (where it ...
-
Reviews
Aaltra
Directors: Benoit Delepine, Gustave Kervern. Belgium. 2004. 90 mins.Tell people that a festival's hot ticket is a black-and-white Belgian road comedy, and you're liable to be greeted with scepticism, especially when the protagonists are two middle-aged men in wheelchairs. Nevertheless, Aaltra is this year's surprise delight at Rotterdam (where it ...
-
Reviews
Anatomy Of Hell (Anatomie De L'Enfer)
Dir: Catherine Breillat France 2004. 77mins.Forthright French director Catherine Breillat made her international breakthrough in 1999 with Romance, the centrepiece of a retrospective at the Rotterdam Film Festival. Breillat has returned to Rotterdam to premiere her tenth film Anatomy Of Hell, which takes Romance's sexual explorations even further, into territory ...
-
Reviews
La Chose Publique
Dir: Mathieu Amalric. France. 2003. 85minsAnd you thought they didn't make them like this any more' an old-fashioned political essay in film-on-film, the latest from director Mathieu Amalric - better known as an actor, though he does not cast himself here - wears its Godard influences proudly on its sleeve, ...
-
Reviews
Coming And Going (Vai E Vem)
Dir: Joao Cesar Monteiro. Portugal. 2003. 179minsShown posthumously at Cannes out of competition following his death from cancer in February this year, Coming And Going is the epic final testament of Portuguese actor-director Joao Cesar Monteiro, who had some claim to being European cinema's single most eccentric talent. His films, ...
-
Reviews
For She's A Jolly Good Fellow (Elle Est Des Notres)
Dir: Siegrid Alnoy. France. 2003. 100minsA portrait of a woman ' indeed, a society ' on the verge of a nervous breakdown, Siegrid Alnoy's debut feature is ostensibly a variation on a familiar topic, but quickly establishes its vision with steely confidence. Coolly inventive and rigorous, Alnoy's debut is likely ...