Latest – Page 19
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Reviews
‘Baby Ruby’: Toronto Review
Noémie Merlant plays an instamum whose idealised life with husband Kit Harington starts to fall apart in Bess Wohl’s feature debut
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Reviews
‘The Menu’: Toronto Review
Anya Taylor-Joy and Ralph Fiennes anchor ’Succession’ director Mark Mylod’s caviar-black move to features
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Reviews
‘Catherine Called Birdy’: Toronto Review
Lena Dunham gently adapts Karen Cushman’s novel about a young girl fighting to take control of her fate in 13th century England
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Reviews
‘Causeway’: Toronto Review
Jennifer Lawrence returns to the big screen with a small, deliberate story
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Reviews
‘Louis Armstrong’s Black & Blues’: Toronto Review
Sacha Jenkins crafts a portrait of iconic musician Louis Armstrong and an exploration of racial inequality
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Reviews
‘The Fabelmans’: Toronto Review
Steven Spielberg takes his autobiographical childhood portrait to Toronto, with Michelle Williams and Paul Dano starring
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Reviews
‘Glass Onion: A Knives Out Mystery’: Toronto Review
Daniel Craig travels to Greece as Netflix takes over Rian Johnson’s glossy whodunnit series.
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Reviews
‘Weird: The Al Yankovic Story’: Toronto Review
Daniel Radcliffe stars in this Midnight Madness recreation for director Eric Appel and the Roku channel
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Reviews
‘Bros’: Toronto Review
Delightful rom-com from the Apatow stable focuses on the gay dating scene - with winning results
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Reviews
‘The Woman King’: Toronto Review
Viola Davis stuns in this all-action, all-female, West Africa-set warrior epic from Sony
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Reviews
‘Emily’: Toronto Review
Emma Mackey is luminous in Frances O’Connor’s distinguished biography of the ‘Wuthering Heights’ writer
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Reviews
‘The Inspection’: Toronto Review
Elegance Bratton’s impressive debut looks at the hot-button issue of homosexuality in the military, viewed through the lens of his own experience
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Reviews
‘The Listener’: Venice Review
Tessa Thompson’s poised presence elevates Steve Buscemi’s intimate drama about a helpline volunteer
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Reviews
‘Women Talking’: Toronto Review
Sarah Polley’s focused drama poses real questions about faith and forgiveness
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Reviews
‘Blonde’: Venice Review
Andrew Dominik’s adaptation of Joyce Carol Oates’ fictional novel paints a voyeuristic portrait of Marilyn Monroe
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Reviews
‘Pinocchio’: Review
Tom Hanks stars in Robert Zemeckis’s straight-to-streaming Disney remake
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Reviews
‘Dreamin’ Wild’: Venice Review
Bill Pohlad follows up Love & Mercy with the dramatised tale of real-life musicians Donnie and Joe Emerson
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Reviews
‘Barbarian’: Review
Zach Cregger serves up some unexpected twists in this nerve-shredding horror
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Reviews
‘See How They Run’: Review
Sam Rockwell and Saoirse Ronan investigate a murder in 1950s London in Tom George’s aggressively clever debut
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Reviews
‘Dead For A Dollar’: Venice Review
Walter Hill returns with a revisionist Western featuring a sterling performance from Christoph Waltz