Latest – Page 13
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Reviews
‘Laila In Haifa’: Venice Review
Drinks, sex and commentary flow freely over the course of one night in an Israeli bar
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Reviews
‘The Furnace’: Venice Review
An Afghan cameleer and an Australian thief join forces in this thoughtful Western
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Reviews
‘The Disciple’: Venice Review
An immersive exploration of Indian classical music - and one man’s quest to become a master
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Reviews
‘Honey Cigar’: Venice Review
Stirring coming-of-age drama parallels a woman’s sexual awakening with Algeria’s political adolescence
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Reviews
‘Gaza Mon Amour’: Venice Review
The Nasser brothers turn their lens on a late-life romance in Gaza featuring Hiam Abbass and Salim Daw
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Reviews
‘Mulan’: Review
Long delayed, much anticipated, Disney’s live-action epic is now going directly into homes
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Reviews
‘Night In Paradise’: Venice Review
A blood-spattered crime thriller from the writer of ‘I Saw The Devil’
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Reviews
‘Kriya’: Fantasia Review
Horror from India takes some very unlikely turns around a sinister house and a family curse
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Reviews
‘Sheep Without a Shepherd’: Review
Skilfully-calibrated thriller from debut director Sam Quah heads out into the UK during an interrupted home run
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Reviews
‘Morgana’: Fantasia Review
An older Australian housewife throws off her domestic shackles - for restraint of another kind
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Reviews
‘Crazy Samurai Musashi’: Fantasia Review
An uncut 77 minute action sequence highlights the latest Yuji Shimomura-Tak Sakaguchi collaboration
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Reviews
‘Goodbye Mister Wong’: FIDMarseille Review
A lakeshore in Laos is the enchanting setting for Kiyé Simon Luang’s move into fiction feature filmmaking
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Reviews
‘Peninsula’: Review
Zombies have destroyed the entire Korean peninsula in Yeon Sang-ho’s follow-up to ’Train To Busan’.
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Reviews
‘Victim(s)’: Udine Review
First-time director Layla Zhuqing Ji shoots her impressive tale of Chinese high-school bullying in Malaysia
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Reviews
‘Ashfall’: Udine Review
A rock-solid Korean blockbuster boasting volcanic action sequences opens the Udine Far East Film Festival
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Reviews
‘Paradise’: Cannes Market Review
In Tahiti, two cousins represent the past and the future of an island at the crossroads
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Reviews
‘The Death of Cinema and My Father Too’: Cannes 2020 Label Review
Self-reflexive debut from Israel boasts an ambitiously labyrinthine structure
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Reviews
‘Coalesce’: ACID 2020 Review
Modern Cambodia under the lens in a perceptive debut from Jesse Miceli