Latest – Page 30
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FeaturesSarajevo 2021: Cristina Grosan on how a death inspired ‘Things Worth Weeping For’
The Hungarian-Romanian filmmaker discusses her debut drama-comedy.
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FeaturesSarajevo 2021: Sebastian Meise on the “inhuman scandal” behind ‘Great Freedom’
The Austrian director reflects on making his award-winning feature and the scandal behind the story.
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FeaturesSarajevo 2021: Antoneta Alamat Kusijanović on the character dynamics of ‘Murina’
The Croatian filmmaker discusses her feature directorial debut, which won the Camera d’Or at Cannes.
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FeaturesThe filmmaking family behind Fantasia’s ‘Hellbender’
Toby Poser, John Adams and Zelda Adams discuss creative freedom and the “strange gift” of Covid.
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FeaturesSarajevo 2021: French-Kosovar actress Luàna Bajrami on her directing debut ‘The Hill Where Lionesses Roar’
Best known for her role in ‘Portrait Of A Lady On Fire’, Bajrami’s debut premiered in Directors’ Fortnight.
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FeaturesSarajevo 2021: Srdan Kovacevic on the five-year journey to make documentary 'Factory To The Workers'
The documentary about revolutionary workers is competing at the festival.
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Features“A hybrid structure offers a democratic tool”: Locarno Pro head Markus Duffner on the future of markets
Locarno Pro’s incoming head Markus Duffner talks about assembling a hybrid edition.
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FeaturesLocarno’s Open Doors head Sophie Bourdon evaluates the end of the Southeast Asia cycle
Locarno’s Open Doors bids farewell to Southeast Asia and Mongolia this year, but pledges to stay connected with the region.
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Features“I’m not a horror genre filmmaker”: Julien Knafo on Fantasia opening film ‘Brain Freeze’
Barbara Shrier of Canada’s Palomar Productions produced “zom-com”.
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FeaturesCharlotte Colbert on the “normalisation” of mastectomy wounds in Locarno drama ‘She Will’
The film will have its world premiere in Locarno on August 5.
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FeaturesFantasia Fest artistic director on why scary films thrill him the most
Mitch Davis also discusses pros and cons for the festival when a genre film like ‘Titane’ is feted by Cannes.
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FeaturesWord of Mouth: The BFI’s Lizzie Francke talks tastemakers, text groups and pool temperatures
The London-based editor-at-large at the BFI FIlm Fund reveals who her trusted tastemakers are and what she is watching now.
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NewsVenice’s Alberto Barbera on building a second Covid-era festival, gender disparity, Hollywood’s return
Artistic director address the fall in female directors in the line-up.
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NewsWhy the industry is heading to Transilvania to discover the hottest Romanian filmmakers
TIFF artistic director Mihai Chirilov on how the festival supports the local industry.
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FeaturesFIDMarseille’s Jean-Pierre Rehm on the importance of programming world premieres
The French festival is taking place from July 19-25.
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Features“I can’t hide my identity”: Hong Kong filmmaker Kiwi Chow on his surprise Cannes selection ‘Revolution Of Our Times’
Chow’s documentary offers an unflinching look at Hong Kong’s latest pro-democracy movement.
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FeaturesPaul Verhoeven on making ‘Benedetta’, intimacy coordinators, and his 'Bel Ami' and Jesus projects
Benedetta caused a stir following its premiere in Cannes’ Competition.
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NewsWhy 'Murina' director Antoneta Alamat Kusijanovic believes life and film are the "ultimate creations" (exclusive)
”Life and film are the ultimate creations.”
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FeaturesCannes regular Sergei Loznitsa on his archive documentary ‘Babi Yar. Context’
In his latest film, the Ukrainian director examines a notorious Second World War massacre.
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FeaturesJoachim Trier on his existential romantic comedy ‘The Worst Person In The World’
The Worst Person In The World is in Cannes’ Competition section.