Latest – Page 38
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FeaturesGabriel Yared on scoring ‘Betty Blue’, working with Minghella and being fired from ‘Troy’
The French-Lebanese composer is this year’s WSA lifetime achievement award recipient.
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NewsInternational industry to come together to watch new projects at Doclisboa
Doclisboa’s industry strand Nebulae is entirely online this year.
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FeaturesThe award-winning composers of ‘Joker’ and ‘Get Out’ on improving diversity in their industry
Hildur Gudnadottir and Michael Abels are leading change in their white, male-dominated field.
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FeaturesDoclisboa’s co-heads explain why they are extending their festival over six months
”The level of reflection will hopefully be higher.”
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FeaturesWSA guest of honour Alexandre Desplat reflects on his illustrious composing career
The composer is nominated as WSA film composer of the year for his ’Little Women’, ‘J’Accuse’ and ‘Adults In The Room’ scores.
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FeaturesArtistic director Antonio Monda on bringing Rome’s 15th edition to fruition
Rome Film Fest opens today with Pixar’s Soul, and runs to October 25.
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FeaturesThe Film & TV Charity's Alex Pumfrey: we must “protect the diverse talent pipeline”
The Charity launched its second major Covid-19 fund last month.
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FeaturesStars of Tomorrow One-to-One: Mark Herbert & Joy Gharoro-Akpojotor
UK and Ireland Star of Tomorrow Joy Gharoro-Akpojotor talks over Zoom with Mark Herbert, joint CEO of Warp Films.
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FeaturesStars of Tomorrow One-to-One: Armando Iannucci & Aisha Bywaters
UK and Ireland Star of Tomorrow Aisha Bywaters speaks with Bafta award-winning writer/director Armando Iannucci.
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NewsHamburg film fund to introduce a diversity checklist
Film fund chief Helge Albers reflects on an eventful 12 months in the job.
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FeaturesStars of Tomorrow One-to-One: Maxine Peake & Paul Mescal
Bafta-nominated actress Peake shares career tips with Star of Tomorrow Mescal (Normal People) over Zoom.
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NewsViggo Mortensen on choosing projects, working with David Cronenberg and moving behind the camera
”’I’m a bad poker player; it would show if I didn’t believe in what I do.”
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Features‘Enfant Terrible’ director Oskar Roehler on older casting and Fassbinder’s mystique
He also talks shooting in a studio and incurring the wrath of the Fassbinder Foundation.
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FeaturesAntonio Méndez Esparza talks about the making of documentary ‘Courtroom 3H’
The Spanish film is screening in competition at San Sebastian.
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Features“People wanted a pure hero film”: Sharunas Bartas on his drama ‘In The Dusk’
The film has its international premiere in competition at San Sebastian this week.
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Features“Does anger ever drive me? You bet”: Aaron Sorkin on why his new film is so relevant
Sorkin spoke at a San Sebastian Film Festival online masterclass.
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Features“It’s a challenge making a film about Shane MacGowan”: Julien Temple on his new music doc
’Crock Of Gold: A Few Rounds With Shane MacGowan’ is making its world premiere in competition at San Sebastian.
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Features‘Supernova’ director Harry Macqueen on making his Colin Firth-Stanley Tucci love story
”It took us a while to work out who would play which character,” he says of his two stars.
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FeaturesMatt Dillon’s two-decade journey to tell the story of Cuban musician Fellove
‘El Gran Fellove’ has its world premiere in San Sebastian.
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FeaturesKiyoshi Kurosawa on why he hopes ‘Wife Of A Spy’ will create some controversy at home in Japan
The film won Kurosawa the best director prize in Venice; it is now screening in San Sebastian and Busan.