Latest – Page 72
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Features
Bertrand Bonello on politically charged thriller 'Nocturama'
Bertrand Bonello speaks to Melanie Goodfellow about his highly charged Paris-attack film Nocturama, which opens the second edition of TIFF’s Platform showcase.
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Features
Pablo Larrain reveals the journeys behind 'Jackie' and 'Neruda'
Chilean film-maker Pablo Larrain dwells on the mysteries of storytelling as he contemplates fall festival slots for his two latest films, Neruda and Jackie.
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Features
Colin Geddes, TIFF Midnight Madness, Vanguard
The ringmaster of Ryerson tells Jeremy Kay about overseeing the two programmes that tend to attract the late night crowd and those in search of something very different.
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Features
Venice buzz title: Kim Jee-woon talks spy thriller 'The Age Of Shadows'
The Korean film-maker discusses Warner Bros Korea’s first local-language production, and expresses his thoughts on changes in the local industry.
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Features
Venice: François Ozon on why 'Frantz' resonates with Brexit, rising European nationalism
French director François Ozon explains how his black and white post-World War One melodrama Frantz has a contemporary resonance in the age of Brexit and rising nationalism across Europe.
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News
Venice buzz title: Midi Z talks biggest production to date 'The Road To Mandalay'
Director Midi Z went to unusual lengths on his love story about Burmese immigrants in Thailand, the first co-production between Taiwan, France, Germany and Myanmar.
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Features
Venice buzz title: Christopher Murray on 'The Blind Christ', this year's "big discovery"
Described by Alberto Barbera as Pasolini-esque, competition title The Blind Christ is generating heat.
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Features
Toronto 2016: Cameron Bailey talks TIFF highlights and Telluride
TIFF artistic director Cameron Bailey speaks to Jeremy Kay about highlights of the 41st edition and the entente cordiale with Telluride.
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Features
'Free Fire': Ben Wheatley firing on all cylinders (set report)
Ben Wheatley talks shooting guns and cameras on the set of his action thriller Free Fire and reveals how Martin Scorsese came on board as executive producer. Michael Rosser reports.
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Features
'The Chamber' producer talks Metrodome, Blumhouse, UK genre
Jen Handorf talks about the demise of Metrodome, the Blumhouse effect and a potential bursting of an “independent film bubble”.
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Features
Alice Lowe on 'Prevenge': "It's one individual's insane perspective"
The Sightseers co-writer and star talks about her feature directorial debut.
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Features
FrightFest: Kate Shenton talks 'Egomaniac'
The Horror Rising Star-nominated director discusses no-budget film-making ahead of the FrightFest premiere of her second feature.
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Features
Sarajevo Q&A: Ivan Marinovic discusses 'The Black Pin'
Montenegrin director Marinovic’s debut feature is in competition in Sarajevo.
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Features
Sarajevo Q&A: 'Humidity' director Nikola Ljuca talks funding challenges, film politics
Ljuca’s feature debut plays in competition at Sarajevo Film Festival.
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Features
Sarajevo Q&A: Ralitza Petrova on 'Godless'
Bulgarian director talks to Screen about her competition title Godless, which recently won Locarno’s Golden Leopard.
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Features
Sarajevo Q&A: Mehmet Can Mertoğlu talks 'Album'
Turkish film-maker talks to Screen about his debut feature, which played in Sarajevo’s competition following its Cannes premiere.
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Features
Stephen Chin, 'War Dogs'
The Canadian former lawyer talks to Alec Govi about the screenplay he co-wrote with director Todd Phillips and Jason Smilovic about two savvy young Americans who scored a $300m arms contract with the US government.
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Features
Sarajevo Q&A: Bogdan Mirică on directorial debut 'Dogs'
Romanian director talks to Screen about his debut feature, which screened in competition at Sarajevo Film Festival.
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Features
Sarajevo: Dane Komljen talks 'All the Cities Of The North'
Bosnian film-maker talks to Screen about his debut feature, which plays at Sarajevo Film Festival.
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Features
Sarajevo: Lukas Valenta Rinner talks 'A Decent Woman'
Director discusses his competition feature A Decent Woman, which received its world premiere in Sarajevo.