Latest – Page 85
-
FeaturesSteve Golin talks 'The Revenant', TV and awards bull****
The Anonymous Content CEO discusses his career ahead of a ZFF lifetime honour
-
FeaturesAsha Lovelace, 'The Dragon Can’t Dance'
The Trinidadian filmmaker is at the Trinidad + Tobago film festival’s Caribbean Film Mart pitching her second feature, an adaptation of her father Earl Lovelace’s acclaimed novel of the same name.
-
FeaturesStorm Saulter, 'Sprinter'
The Jamaican director burst on to the scene with his acclaimed 2010 crime drama Better Mus’ Come and attends the Caribbean Film Mart at the trinidad + tobago film festival to pitch his second feature.
-
FeaturesMaking 'Bazodee'
The recent world premiere at the trinidad + tobago film festival of the musical romance culminates a nine-year journey by Claire Ince.
-
FeaturesYermek Tursunov on his Kazakh Oscar entry 'Stranger'
Stranger focuses on one boy’s meditative search for the meaning of life.
-
Features'Pikadero': Basque debut with a Scottish view
One of the hottest Basque films at San Sebastian was, unexpectedly, directed by a Scotsman.
-
FeaturesFrank Hall Green, ‘Wildlike’
Green’s award-winning coming-of-age drama about a troubled teen who flees from her uncle into the Alaskan interior has won hearts and minds on the US festival trail and stars Ella Purnell, Bruce Greenwood and Brian Geraghty.
-
FeaturesDavid Kosse talks Film4's global ambitions and future projects
Film4 director David Kosse and his team talk Andreas Wiseman through the company’s direction, its roster of up-and-coming directors and future projects.
-
FeaturesTIFF 2015: Jeremy Irons talks 'The Man Who Knew Infinity'
The British actor discusses his role as a brilliant mathematician alongside co-star Dev Patel in Matthew Brown’s period drama.
-
FeaturesTIFF 2015: Dev Patel talks 'The Man Who Knew Infinity'
The star of HBO’s The Newsroom and Neill Blomkamp’s Chappie will next be seen in the Toronto world premiere of The Man Who Knew Infinity, playing a poor Brahmin maths prodigy from South India who became a Fellow of the Royal Society and Trinity College.
-
FeaturesPan Nalin, 'Angry Indian Goddesses'
Indian director Pan Nalin (Samsara) comes to Toronto with the world premiere of Angry Indian Goddesses, which screens in Special Presentations and is sold by Mongrel Media.
-
FeaturesTIFF 2015: Ben Wheatley reveals the story behind 'High-Rise'
Ben Wheatley had his biggest budget to date to create the dystopian world portrayed in JG Ballard’s novel High-Rise. Michael Rosser speaks to the UK film-maker about his vision to “shoot on location in the past”.
-
FeaturesMichael Luisi, WWE Studios
The president of WWE Studios, the film subsidiary of World Wrestling Entertainment, is in Toronto scouring the ground for titles.
-
FeaturesInterview: Marina Cordoni
With her latest venture, industry insider Marina Cordoni is using her passion and experience as an international sales agent and executive producer to benefit film-makers, she tells Screen.
-
FeaturesIn focus: screenwriting
Ahead of the eve of the sixth Bafta and BFI Screenwriters’ Lecture Series (Sept 23-Oct 3), four celebrated screenwriters discuss how the Netflix era has put them back in control.
-
FeaturesTIFF 2015: Interview, Charlotte Mickie
Charlotte Mickie continues to champion bold, authentic voices at Mongrel Media’s new international arm. Screen talks to her about the company’s diverse slate.
-
FeaturesTIFF 2015: Jean-Marc Vallée talks 'Demolition'
After Dallas Buyers Club and Wild, Jean-Marc Vallée hopes awards season magic strikes again with this year’s TIFF opener Demolition.
-
FeaturesVenice: Alberto Barbera talks 'boo-boys' and the future
At the half-way mark, the Venice Film Festival director reveals plans for an additional cinema and defends A Bigger Splash.
-
FeaturesJean-Jacques Annaud, 'Wolf Totem'
The director of The Name Of The Rose, The Lover and Seven Years In Tibet, among others, talks to Gabrielle Altheim about his epic adventure set in Inner Mongolia in the 1960s.
-
FeaturesFinding 'Francofonia'
SCREEN SUBSCRIBERS: Francofonia producer Pierre-Olivier Bardet tells Screen how the production built Aleksandr Sokurov’s ambitious docu-fiction.