Latest – Page 91
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FeaturesTomm Moore, Song Of The Sea
Oscar-nominated Irish animation Song Of The Sea draws on ancient folklore and traditional animation techniques to tell a universal family story. Wendy Mitchell talks to director Tomm Moore about the inspirations for the film
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FeaturesMichael Noer, Key House Mirror
Rising Danish director Michael Noer talks to Sarah Cooper about his third feature, the unusual love story Key House Mirror, which opens Goteborg
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FeaturesTiger directors: Kyros Papavassiliou, Impressions Of A Drowned Man
The Greek-Cyrriot director talks about his poetic meditation on the nature of time and identity, which receives its world premiere in competition at International Film Festival Rotterdam (IFFR).
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FeaturesTiger directors: Lisa Takeba, Haruko’s Paranormal Laboratory
The Japanese director talks about her second feature, which receives its world premiere in competition at International Film Festival Rotterdam (IFFR).
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FeaturesTiger directors: Remy van Heugten, Gluckauf
The Dutch director talks about his father-son story, which receives its world premiere in competition at International Film Festival Rotterdam (IFFR).
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FeaturesJM Cravioto, Reversal
The Mexican film-maker went to the same CUEC film school as Alfonso Cuaron and Emmanuel Lubezki. His English-language debut premieres in Sundance in Park City At Midnight on January 23. Spoiler alert.
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FeaturesMark Titus, The Breach
In The Breach, Mark Titus examines depleted salmon populations in the Pacific Northwest and what is happening to reverse their decline.
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FeaturesAlexandre Desplat, The Imitation Game
Composer Alexandre Desplat tells Tiffany Pritchard about bringing Alan Turing’s frenetic mind to life through his score for The Imitation Game.
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FeaturesAdam Stockhausen, The Grand Budapest Hotel
Production designer Adam Stockhausen tells Andreas Wiseman about the ‘extreme’ move from 12 Years A Slave to The Grand Budapest Hotel and the challenges of capturing Wes Anderson’s unique vision.
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FeaturesRobert Elswit, Nightcrawler
Cinematographer Robert Elswit talks to Elbert Wyche about the challenges of shooting dozens of late-night locations for Dan Gilroy’s Nightcrawler.
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FeaturesAlejandro G Inarritu, Birdman
The Mexican director of Birdman talks to Jeremy Kay about his tortured creative process and his original vision of a man floating in his underwear.
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NewsScreen Best Pitch winners talk Impaled Rektum
The Screen International Best Pitch Award at Tallinn’s Baltic Event last December went to Finnish producers Kaarle Aho and Kai Nordberg of Making Movies Oy who were pitching Impaled Rektum with the feature debutants Jukka Vidgren and Juuso Laatio [pictured].
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FeaturesLucia Recalde Langarica, MEDIA
MEDIA’s new head of unit, Lucia Recalde Langarica, talks to Martin Blaney about how innovation in technology, people and content can be used to realise Europe’s untapped potential
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FeaturesJessica Chastain, A Most Violent Year
Jessica Chastain talks to Wendy Mitchell about bringing the wife out from behind the scenes in JC Chandor’s A Most Violent Year.
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FeaturesFelicity Jones, The Theory of Everything
Felicity Jones tells Wendy Mitchell about her intimidating first experience with Jane Hawking, and meeting carers and families during preparation for The Theory Of Everything
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FeaturesJulianne Moore, Still Alice
Julianne Moore talks to Jeremy Kay about the research and emotions behind her impressive turn in Still Alice
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FeaturesJK Simmons: The Whiplash effect
JK Simmons tells Michael Rosser how he brought the brutal teacher in Whiplash to life and how the role may change his career forever.
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FeaturesDavid Oyelowo, Selma
David Oyelowo tells Ian Sandwell about how being British helped his portrayal of an icon and the need for it not to be an impersonation.
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FeaturesGeorgia Parris lets sidelined woman have her Moment
London-based short film director has taken an unusual approach to showcasing contemporary dance, including with her latest film A Moment To Move.
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FeaturesJoshua Oppenheimer, The Look Of Silence
Joshua Oppenheimer talks to Wendy Mitchell about changing the culture of fear in Indonesia with The Act Of Killing and its follow-up, The Look Of Silence.