Latest – Page 99
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FeaturesRania Attieh and Daniel Garcia, Recommended By Enrique
The neo-noir premieres at the Los Angeles Film Festival on June 13 and plays again on June 17 and tells of a young actress and an aging cowboy in a small Texan town on the Mexican border. Emmanuelle Charlier saddles up.
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FeaturesE.L. Katz, Cheap Thrills
Ian Sandwell talks to the US film-maker about his feature directorial debut.
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FeaturesJohn Boorman, Queen and Country
Geoffrey Macnab speaks to the English film-maker about the sequel to his autobiographical feature Hope and Glory.
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FeaturesCANNES: The French collection
Despite increasing pressures on the funding of French film, local producers are bringing an exciting selection of projects to Cannes. Interviews by Melanie Goodfellow.
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FeaturesPatrick Ewald and Shaked Berenson, Epic Pictures
Patrick Ewald and Shaked Berenson tell Jeremy Kay about the nimble manoeuvres of Epic Pictures, and how the company builds a diverse slate on the back of undead beavers and giant spiders.
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FeaturesPierre-Ange Le Pogam, Grace of Monaco
When veteran producer Pierre-Ange Le Pogam first came to Cannes in the 1970s, he slept in a tent. Some 40 years later, the former Gaumont and EuropaCorp exec is on the Croisette with his fledgling company Stone Angels and opening night film Grace Of Monaco. Melanie Goodfellow reports.
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FeaturesEdward Noeltner, Cinema Management Group
Cinema Management Group’s Ed Noeltner tells Jeremy Kay about the company’s evolution and its success with independent animations.
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FeaturesDavid Cross: Hits maker
The US comedian and writer discusses Hits, his directorial debut about celebrity and the YouTube generation.
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FeaturesJanine Marmot, Hot Property Films
The two-time BAFTA-winning producer discusses one of her production company’s busiest years to date and Cannes-bound thriller Brand New-U.
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FeaturesJeremy Saulnier, Blue Ruin
The Brooklyn-based filmmaker talks about how his revenge thriller, released in the UK this weekend, came close to being his swansong.
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FeaturesTribeca: Lou Howe, Gabriel
Lou Howe, who studied film at Harvard and AFI, had his directorial debut Gabriel starring Rory Caulkin selected to open Tribeca’s World Narrative Feature competition.
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FeaturesSundance London: John Cooper and Trevor Groth
As Sundance London kicks off, organisers John Cooper and Trevor Groth talk film highlights, Robert Redford and the “nuts and bolts” of filmmaking.
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FeaturesGareth Evans, The Raid 2
The Welsh film-maker talks to Ian Sandwell about the action sequel and teases The Raid 3.
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FeaturesAgents of change
Agents have an increasingly important role in the film and TV industries. At a Screen-hosted roundtable, Wendy Mitchell and Andreas Wiseman asked some of the UK’s key players how agenting is changing.
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FeaturesTribeca 2014: discovery channels
Tribeca Film Festival programmers Frédéric Boyer and Genna Terranova talk to Jeremy Kay about championing international and American gems.
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FeaturesJeremy Thomas: a global touch
Veteran producer Jeremy Thomas talks to Wendy Mitchell about the highlights of his 40-year career and looks excitedly to the future, ahead of a BFI Southbank retrospective.
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FeaturesThe Weinstein Company: stirring drama
As The Weinstein Company ramps up its scripted TV productions and acquisitions, Andreas Wiseman talks to the executives behind the push.
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FeaturesMolinare: making the grade
Following its 2012 restructuring, post-production firm Molinare has a sharpened focus on high-end TV drama as well as feature film post work, and is readying itself for growth. Wendy Mitchell reports
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FeaturesSecret Cinema's Grand ambitions
Wes Anderson’s The Grand Budapest Hotel was brought to life with huge success by Secret Cinema. Ian Sandwell looks at how the event came together and the reasons for its popularity.
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FeaturesPang Ho Cheung, Aberdeen
Film-maker Pang Ho Cheung talks to Liz Shackleton about HKIFF opening film Aberdeen, which looks at the contradictions of Hong Kong society