All articles by Lee Marshall – Page 13
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Reviews
'Capernaum': Cannes Review
Lebanese director Nadine Labaki delivers a powerful story about a 12 year-old boy who takes his parents to court
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Reviews
'Dogman': Cannes Review
Matteo Garrone sets his Cannnes Competition entry in a run-down seaside town in Campania
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Reviews
'Sofia': Cannes Review
Debut set in Casablanca follows a young, unmarried mother as she gives birth
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Reviews
'Long Day's Journey Into Night': Cannes Review
Bi Gan follows up ‘Kali Blues’ with another ode to hs hometown
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Reviews
'Shoplifters': Cannes Review
Hirokazu Kore-eda turns in a masterful ensemble piece about a ‘family’ living on its wits
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Reviews
'Fahrenheit 451': Cannes Review
A militant regime attempts to stamp out free thought in this by-the-numbers Ray Bradbury adaptation
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Reviews
'Girls Of The Sun': Cannes Review
A batallion of female Kurdish fighters take on ISIS in Eva Husson’s follow-up to ‘Bang Gang’
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Reviews
'Arctic': Cannes Review
Mads Mikkelsen stars as a downed airman struggling to survive in Joe Penna’s gripping tundra-set debut
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Reviews
'Samouni Road': Cannes Review
Documentary about the normal Palestinian family torn at the heart of the ‘Zeitoun incident’
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Reviews
'One Day': Cannes Review
A day in the life of a working mother juggling four children turns out to be an unexpecedly powerful drama
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Reviews
'Loro 1': Review
The first part of Paolo Sorrentino’s take on Silvio Berlusconi - starring Toni Servillo - gets an Italy-only release
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Features
Films of the Year 2017: Lee Marshall
Screen International critics pick their top five films of the year, plus the best doc and a hidden gem.
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Reviews
'The Sower': San Sebastian Review
Marine Francen’s feature debut is the winner of the New Directors prize at San Sebastian
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Reviews
'So Help Me God': San Sebastian Review
Documentary about a Brussels judge is a surprising audience-friendly hit
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Reviews
'Love Me Not': San Sebastian Review
A dour Greek neo-noir from the director of Miss Violence
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Reviews
'Fireworks, Should We See It From The Side Or The Bottom?': San Sebastian Review
A high-school love story with supernatural elements from the team which released ‘Your Name’ last year
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Reviews
'Alanis': San Sebastian Review
Argentina’s Anahi Berneri returns with the story of a young prostitute forced out onto the streets of Buenos Aires
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News
In Pictures: Screen and Diane Kruger co-host Venice filmmakers lunch
Vivien Qu, Xavier Legrand and Francois Troukens attended event.
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Reviews
'Above The Law (Tueurs)': Venice Review
A dangerous game of cat and mouse is played in this tense Belgian crime thriller
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Reviews
'Mektoub My Love: Canto Uno': Venice Review
Abdellatif Kechiche follows up 2013’s Blue is The Warmest Colour with a South of France-set summer romance