All articles by Lee Marshall – Page 2
-
Reviews
‘She’s Got No Name’: Cannes Review
Peter Chan delivers a stirring widescreen melodrama set in Shanghai of the 1940s to round out Cannes 2024
-
Reviews
‘Jim’s Story’: Cannes Review
Karim Leklou’s bittersweet performance anchors this tale of fatherhood from the Larrieu brothers
-
Reviews
‘Parthenope’: Cannes Review
Paolo Sorrentino returns to Naples for this problematic tale of the eponymous young beauty
-
Reviews
‘Horizon: An American Saga’: Cannes Review
The first part of Kevin Costner’s over-stuffed Western epic rides into Cannes
-
Reviews
‘Emilia Perez’: Cannes Review
A Mexican drug-lord undergoes gender reassignment in Jacques Audiard’s stylish Spanish-language musical
-
Reviews
‘Twilight Of The Warriors: Walled In’: Cannes Review
Soi Cheang returns triumphantly to Hong Kong genre cinema with this old-school 80s actioner set in Kowloon’s Walled City
-
Reviews
‘Holy Cow’: Cannes Review
A farmers son must suddenly step up to his responsibilities in this debut from Louise Courvoisier set in rural France
-
Reviews
‘An Unfinished Film’: Cannes Review
A Chinese film crew is caught up in the Covid-19 outbreak in Lou Ye’s absorbing lockdown drama
-
Reviews
‘Bird’: Cannes Review
Andrea Arnold blends gritty and magical realism in her Kent-set Competition title starring Barry Keoghan
-
Reviews
‘My Place Is Here’: Review
Post-war patriarchal Italy is the setting for another take on an independent woman trying to make her own way
-
Features
How ‘To Kill A Tiger’ director shone a light on India’s gender violence
Nisha Pahuja set out to make a film about male consciousness-raising on gender issues in India, then found herself in the middle of a case of child rape. She tells Screen how the victim’s courageous family inspired her to tell their story in To Kill A Tiger.
-
Reviews
‘Gloria!’: Berlin Review
A young woman finds her voice in an Italian musical institute at the turn of the 19th century
-
Reviews
‘Architecton’: Berlin Review
Victor Kossakovsky follows up ‘Gunda’ with this exploration of concrete and stone in a throwaway society
-
Reviews
‘Shikun’: Berlin Review
Amos Gitai transplants Eugene Ionesco’s 1959 protest play ’Rhinoceros’ to modern Israel
-
Reviews
‘Demba’: Berlin Review
A Sengalese man struggles to shake off his grief after the death of his wife in this striking second feature
-
Reviews
‘Another End’: Berlin Review
Gael Garcia Bernal must confront memories made flesh in this near-future sci-fi
-
Reviews
‘From Hilde, With Love’: Review
Liv Lisa Fries plays German resistance fighter Hilde Coppi in this powerhouse biopic
-
Reviews
‘Above The Dust’: Berlin Review
Wang Xiaoshuai’s latest is a haunting parable of a disappearing rural China
-
Reviews
’Turn In The Wound’: Berlin Review
Abel Ferrara’s documentary is an awkward meld of the Ukraine conflict with a Patti Smith installation