All articles by Lee Marshall – Page 4
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Reviews
‘La Chimera’: Cannes Review
Alice Rohrwacher’s fourth feature stars Josh O’Connor as an archaeological psychic in Italy’s Etruscan badlands
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Reviews
‘Hopeless’: Cannes Review
A troubled teenager turns to the mob in Kim Chang-hoon’s brutal South Korean drama
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Reviews
‘Kidnapped’: Cannes Review
Italian veteran Marco Bellocchio’s Competition drama tells the true story of how the Vatican kidnapped a young Jewish boy
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Reviews
‘Kubi’: Cannes Review
Takeshi Kitano’s return to the samurai genre is an adaptation of his own historical novel
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Reviews
‘Close Your Eyes’: Cannes Review
Spanish director Victor Erice returns after a 30-year absence with this languid tale of a missing actor
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Reviews
‘The Book Of Solutions’: Cannes Review
Michel Gondry returns with this offbeat comedy about a neurotic filmmaker
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Reviews
‘Anatomy Of A Fall’: Cannes Review
Sandra Hüller plays a wife on trial for her husband’s murder in Justine Triet’s knotty Palm d’Or winning title
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Reviews
‘Pictures Of Ghosts’: Cannes Review
A historical essay about the picture palaces of Kleber Mendonca Filho’s hometown of Recife
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Reviews
‘Strange Way Of Life’: Cannes Review
Ethan Hawke and Pedro Pascal are cowboys with history in Pedro Almodovar’s queer Western short
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Reviews
‘About Dry Grasses’: Cannes Review
A Turkish teacher practices the art of manipulation in Nuri Bilge Ceylan’s Competition drama
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Reviews
‘Hounds’: Cannes Review
A hard-boiled thriller from Morocco about a father and son in over their heads
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Reviews
‘A Prince’: Cannes Review
Horticulture and sex collide in ‘cineaste-peasant’ Pierre Creton’s curio set in Normandy
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Reviews
‘Lost In The Night’: Cannes Review
Amat Escalante returns to Cannes with a surprisingly conventional crime movie
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Reviews
‘Monster’: Cannes Review
Hirokazu Kore-eda brings emotional nuance to a moral tale about school bullying, scored by the late Ryuichi Sakamoto
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Reviews
‘A Brighter Tomorrow’: Cannes Review
Cannes Competition title sees Nanni Moretti return to his old ways in this greatest-hits story of a frustrated film-maker
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Reviews
‘Massimo Troisi: Somebody Down There Likes Me’: Berlin Review
Affectionate biopic of the late Italian comedian and star of ’Il Postino’, Massimo Troisi
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Reviews
‘The Last Night Of Amore’: Berlin Review
A strait-laced cop goes rogue on his last night in the job in Andrea Di Stefano’s stylish Italian crime thriller
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Reviews
‘Green Night’: Berlin Review
Fan Bingbing and Lee Joo-young go on the lam in Han Shuai’s moody Seoul-set drama
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Reviews
‘Living Bad’: Berlin Review
Joao Canijo returns to the mordernist hotel of his ‘Bad Living’ to take account of the guests in this mirror film
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Reviews
‘Bad Living’: Berlin Review
A crumbling hotel in a Portugese seaside village is the setting for Joao Canijo’s first of two linked films to play at the Berlinale