All articles by Lee Marshall – Page 4
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Reviews
‘That Summer’s Lie’: Busan Review
The events of one South Korean summer may not be all they appear in this twisting breakout Busan-set debut
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Reviews
‘Because I Hate Korea’: Busan Review
Busan’s opening film follows a disaffected South Korean woman who flees Seoul for New Zealand
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Reviews
‘An Endless Sunday’: Venice Review
Long hot summer Sundays in Rome form the basis of this Italian debut, produced by Wim Wenders
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Reviews
‘Lubo’: Venice Review
Frank Rogowski stars in a meandering drama about Switzerland’s persecution of Yenish children
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Reviews
‘Io Capitano’: Venice Review
Matteo Garrone’s Competition entry follows two Sengalese teenagers hoping to achieve their dreams in Europe
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Reviews
‘Enea’: Venice Review
A young man struggles in Rome’s upper classes in Pietro Castellitto’s Competition entry
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Reviews
‘Behind The Mountains’: Venice Review
A Tunisian man becomes convinced he can fly in Mohamed Ben Attia’s intriguing third feature
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Reviews
‘Evil Does Not Exist’: Venice Review
Ryusuke Hamaguchi follows up ’Drive My Car’ with a charming rural fable
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Reviews
‘Menus-Plaisirs – Les Troisgros’: Venice Review
Frederick Wiseman takes time to savour his subject in this absorbing four-hour documentary about a French restaurant
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Reviews
‘Adagio’: Venice Review
Pierfrancesco Favino and Toni Servillo play two ageing mob-men in the final part of Stefano Sollima’s Rome-set crime trilogy
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Reviews
‘Finally Dawn’: Venice Review
Saverio Costanzo’s Cinecitta-set delight harks to the heyday of ‘Hollywood on the Tiber’ and co-stars Lily James and Willem Dafoe
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Reviews
‘Dogman’: Venice Review
Luc Besson’s tale of a troubled man who finds salvation through his love of dogs has more bark than bite.
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Reviews
‘Comandante’: Venice Review
Venice opens with this pointed dramatisation of a World War II story in which a Fascist submarine commander rescued the people he torpedoed
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Reviews
‘La Chimera’: Cannes Review
Alice Rohrwacher’s fourth feature stars Josh O’Connor as an archaeological psychic in Italy’s Etruscan badlands
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Reviews
‘Hopeless’: Cannes Review
A troubled teenager turns to the mob in Kim Chang-hoon’s brutal South Korean drama
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Reviews
‘Kidnapped’: Cannes Review
Italian veteran Marco Bellocchio’s Competition drama tells the true story of how the Vatican kidnapped a young Jewish boy
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Reviews
‘Kubi’: Cannes Review
Takeshi Kitano’s return to the samurai genre is an adaptation of his own historical novel
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Reviews
‘Close Your Eyes’: Cannes Review
Spanish director Victor Erice returns after a 30-year absence with this languid tale of a missing actor
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Reviews
‘The Book Of Solutions’: Cannes Review
Michel Gondry returns with this offbeat comedy about a neurotic filmmaker
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Reviews
‘Anatomy Of A Fall’: Cannes Review
Sandra Hüller plays a wife on trial for her husband’s murder in Justine Triet’s knotty Palm d’Or winning title