All articles by Lee Marshall – Page 6
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Reviews‘The Mountain’: Cannes Review
Actor-director Thomas Salvador gives a muted performance against the majesty of the Mont Blanc mountain
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Reviews‘Nostalgia’: Cannes Review
Pierfrancesco Favino anchors Mario Martone’s passionate contemporary ghost story set in Naples
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Reviews‘The Five Devils’: Cannes Review
A girl’s powerful sense of smell suddenly starts to evoke times before she was born in Lea Mysius’ follow-up to ‘Ava’
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Reviews‘The Worst Ones’: Cannes Review
The burgeoning genre of street-kid cinema is lampooned in this unbalanced satire
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Reviews‘Diary Of A Fleeting Affair’: Cannes Review
A couple embarks on a spring romance in Emmanuel Mouret’s traditionally French romantic comedy
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Reviews‘R.M.N.’: Cannes Review
Cristian Mungiu paints a sombre portrait of modern xenophobia in his Romanian homeland
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Reviews‘Mariupolis 2’: Cannes Review
Killed in the city he portrays, the final film from the late Mantas Kvedaravicius was finished by his Ukrainian partner Hanna Bilobrova
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Reviews‘Alma Viva’: Cannes Review
Portugese Critics Week debut summons a gentle spirit in its tale of tradition and modernity
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Reviews‘Exterior Night’: Cannes Review
Marco Bellocchio returns to familiar territory with a TV series dramatising the kidnapping of Italian politican Aldo Moro
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Reviews‘Il Posto - A Steady Job’: Visions du Reel Review
A thoughtful exploration of the public sector jobs crisis in Italy, exacerbated by the pandemic
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Reviews‘Working Class Heroes’: Berlin Review
Milos Pusic’s third feature is a strange, dark Serbian satire about workers’ rights
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Reviews‘Myanmar Diaries’: Berlin Review
An uneven but urgent doc-fiction report from Myanmar’s frontline
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Reviews‘Until Tomorrow’: Berlin Review
A young single mother in Iran searches for a safe place for her baby for one night
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Reviews‘The Forger’: Berlin Review
Louis Hofmann leads an engaging drama based on Holocaust memoir set in wartime Berlin
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Reviews‘Taurus’: Berlin Review
Machine Gun Kelly conjures up this cliche’d tale of an addled rock star for director Tim Sutton
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Reviews‘Northern Skies Over Empty Space’: Berlin Review
Alejandra Marquez Abella’s third feature is a powerful blend of class drama and classic Western, set on a Mexican ranch
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Reviews‘The Line’: Berlin Review
Ursula Meier returns to the Swiss mountain suburbs to further explore fractured family dynamics
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Reviews‘We Might As Well Be Dead’: Berlin Review
This remarkable graduation project from Natalia Sinelnikova opens the Berlinal’s German cinema strand
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Reviews‘Incredible But True’: Berlin Review
Lea Drucker and Alain Chabat star in Quentin Dupieux’s droll domestic time travel comedy
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Reviews‘Nothing Lasts Forever’: Berlin Review
Debunking myths and scrutinising synthetic diamonds this curious documentary becomes its own caper